How Not To Be A Writer - Part Twelve: Happy Days In Fife

The upper flat here was my home for almost two years.

 For a couple of years, in the late 70s, I worked for an organisation called The Arts In Fife, as a 'community writer'. I was part of a small group of writers and artists working in the community to 'facilitate' various creative events - writing groups, art projects etc. Fife is a big place and I needed to be able to drive, so I took my test in a hurry. Those were the dear dead days when you didn't have to wait years for a test. It was the most nerve-racking exam I've ever taken. Twice the same dog trotted over the road in front of me. It was the only time the stern examiner said anything apart from test related stuff. 'Suicidal dog,' he said. But I didn't run the dog over, and I must have looked in the mirror, because I passed first time. Then with my parents' help, I acquired a very elderly green Morris Minor, the only car I've ever truly loved. 

After a couple of months spent lodging with the kind parents of one of my old flatmates in Broughty Ferry (a home from home for a while) and commuting to Cupar where we were based, I managed to rent an upper flat in an old cottage in Kingskettle. It was pretty and comfortable but as so many houses back then, without central heating. As far as I remember there was a coal fire in the living room, and I carted a couple of electric fires back from Ayrshire. 

The job was huge fun.

Two incidents from that time stick in my mind. One was when my boss suggested that it would be a good idea if I put a notice up at RAF Leuchars, to see if any of the Air Force wives in particular might be interested in coming along to a daytime writing group. A little while later, I had a visit from Special Branch in the shape of a polite young man in a white mac, who had been told to 'investigate' me. 

It was the name that did it, of course. Although why any spy worth her salt would use such an obviously central European surname, I don't know. Surely Blunt or Philby would have been better.

On another occasion, myself and the community artist, Rozanne, pottered down to the East Neuk in my wee green Morris, to visit a National Trust property, at their request, to see if there was anything we could do for them. We were, as far as I remember, given coffee. But throughout the meeting, we were driven mad by the appetising scent of cooking. Eventually, we were shown out, politely enough. They were expecting a visit from the high heidyins in Edinburgh. As we ate fish and chips in Anstruther, we reflected that lowly artists and writers didn't merit such lunch invitations. They were only for 'those and such as those' - a status which I have seldom if ever achieved. 

Most writers will have tales of being decanted into the night in a strange town or city, having given a talk or similar, and heading back to some hotel or B&B to eat a packet of M&S sandwiches (if lucky) and drink one of those grim miniature bottles of wine, if you've remembered to buy one in advance. The very worst was an unpaid event for a big bookshop that hadn't even given me expenses, and being wished a cheerful goodnight, as I headed back to a horrible economy room in a hall of residence, with a narrow bed, a desk, a chair and a spider in the corner. 'Never again,' you say. Until the next time. 

I loved Fife and I still do - a beautiful place with friendly people. The job, as it was intended to do, left me some time to write. I was working on short fiction and poetry, as well as the occasional freelance piece for the Scotsman. I visited St Kilda, by helicopter, to write a piece about the island, and later drove to Fort William to interview one of the last people to leave the island. He still had his St Kilda spinning wheel, and showed me how to use it. Then I drove all the way back to Kingskettle, because I was working in Fife the next day.

Mostly though, my own work at that time involved radio plays, first with the late, much missed Marilyn Imrie, and following that with the equally missed Hamish Wilson. Of which more soon. 

When the job came to an end, I was on the verge of moving to Huddersfield, where I had just been accepted for a writer in residence post but was yet to make up my mind about it. Then an Ayrshire based friend decided to stop off in Kingskettle on his way to a fencing tournament. He never got to the tournament, and soon after that, I moved back to Ayrshire, got married and became a more or less full time writer. 

An Unexpected Use for AI

 

Image, courtesy of hotpot.ai/art-generator 

 He's rather nice, isn't he? 

I have to admit, up front, that I'm not a big fan of AI. I never use it for writing (I can do that all by myself.), I don't like the way it harvests the work of genuine creatives, and I keep seeing these appalling AI images drifting past my eyes on social media, most of them ridiculous or inaccurate or both. 

My book covers so far - the ones I source myself - are supplied by my artist husband, Alan Lees, my own collection of very old photographs, or more recently, some spectacularly beautiful photographs by our friend Michal Piasecki  licenced only for this single use. The cover designs are made from these images by Lumphanan Press who also format the books for me.

But here's a thing. Like many writers, when I'm working on a book, whether it's fiction or non-fiction, I do like to surround myself with images of all kinds. They can be photographs, postcards, paintings, landscapes, houses, maps, and characters that reflect whoever or whatever I'm writing about - a whole miscellany of images that will never appear in the book as themselves, but will feed into the inspiration behind it. It's one of the pleasures of creating. My work-space becomes a kind of mega mood board. 

I do the same thing on Pinterest as well, making a board for each project. 

My latest project is going to be a trilogy. I've written two books in the series, and hope to publish them either before Christmas, or soon after: Hera's Orchard and Bitter Oranges. I'll be tackling the third in 2025. The books are set mostly on the Canary Isles, and they are about the challenges and joys of a cross cultural relationship. 

I'm going back to an old project here that has had several incarnations, including a radio play, a short story, and a novel that was so skewed by my then publisher that it bore only a faint resemblance to the book I had written. 'You wrote a sensitive exploration of a marriage and we turned it into a beach bonk buster' said my editor, regretfully, many years later. She wasn't wrong. What I really wanted to do was get back to my original idea, and see where it took me.

I wrote the first book, published it briefly on Amazon as Orange Blossoms, unpublished it quite quickly, because I wasn't happy with it, and then revised it drastically, while working flat out on the sequel. It has taken a while, but I'm finalising edits of both books. 

My husband used to be a charter yacht skipper, so we spent a couple of winters in the Canaries, aboard a 50 foot catamaran. It was probably where my love of all things Spanish began. I'm looking at some of my old photographs as I type this, as well as maps, and a little heap of reference books. 

So - where does AI come in? Well, in an idle moment, last night, I found a site called hotpot.ai, and even more idly typed into the little box the simple line  'handsome Spanish man sitting under an orange tree.' Within a couple of seconds, the site had generated the picture at the top of this post. I was surprised. I mean, not only is he handsome, but he genuinely looks Spanish. (Where was this 'harvested' from, I wonder?) The oranges are a bit OTT  in the way of so much AI, but for a book called Hera's Orchard in which the oranges themselves take on a kind of magical quality, it's fine by me.

Today, I had another go, because my 'hero' for want of a better word, plays the guitar. But it has to be a Spanish guitar. And so it is. Not sure about the beard, but it's still a pretty good image. 

As I say, I won't be using this in any commercial sense. My husband has already supplied me with three lovely cover images. But many writers like to play about with visual images as additional sources of inspiration ...  which these are. Thanks, hotpot!

Guitarrista - hotpot.ai/art-generator