My Postgraduate Masters degree was in something called Folk Life Studies. I studied at Leeds University, with folklorists Stewart Sanderson and Tony Green. Among the many books we read on that course was one called Folk Tales of England edited by Katharine Briggs and Ruth L Tongue. It was first published in 1966 and I think I bought it second hand, because I note a little 60p in the corner. There are many tales that, back then, were 'newly collected'. I too was one of that generation of folklorists who went about with tape or in my case cassette recorders, persuading people to tell their stories. In my case it was the fishing traditions of South Ayrshire.
This little book, however, contains my very favourite folk tale - one of those stories that has stayed with me down all these years. I think about it periodically and laugh - because it's a funny story. But with Hallowe'en fast approaching, appropriate for the time of year as well.
It's called Summat Queer on Batch, and it was recorded by Ruth L Tongue, on September 27th, 1963. She remembers this as a favourite story of an old North Somerset groom from about 1907. It is, however, a much older 'motif' to be found in many other stories right across the world. A 'batch' is a piece of open common land or moorland.
Here it is, transcribed verbatim from Ruth's recording.
There were a old widow body 'oo 'ad a little cottage up to Batch and 'er come to market with 'er bits to sell, and she wouldn't go 'ome no how. Well, they axed 'en and all she'd say was, "There's Summat Queer on Batch!" and not a word more. Well, Job Ash, 'e say to 'er, 'Never 'e mind, my dear, I'll go up Batch for 'ee. No fear!' And 'e up and went.
'Twere a bit of a unket wind up to Batch, road was lonely and wind did blow whist. 'E got to cottage, t'were a little cottage like, with a front door and back door opposite each other and kitchen were on side o' passage, sitting room were t'other side o' passage and stairs was in cupboard. In 'e goes, front door were wide open, and 'e swing the bar acrost, and 'e go to back door, and 'e swing the bar acrost there. Then 'e take a look-see to sitting-room. Weren't no one there. Then 'e gave a look-see to kitchen. No-one there neither. Then 'e rub 'is hands together and 'e think o' the drubbing they lads was going to 'ave.
'E opens door - cupboard door - upstairs to bedroom. When he got up to bedroom, wasn't no-one there neither. 'Where be they tew?' said Job and 'e come down and front door were open - back door were open tew. Bar were set back. Well, Job 'e took a quick look-see outside back door and it slammed tew be'ind him and bar slid acrost.
Well, Job, 'e took off round corner o' that 'ouse and 'e didn't stop to look - gets round by front door, as fast as 'e could, and just as 'e got to front door, that slam in 'is face tew, and bar come down acrost. Well, Job, 'e took a deep breath, 'e did, and then 'e takes a look over 'is shoulder, and there were Summat Queer standing right be'ind him.
At that, Job 'e took off down that road, like 'e were at Shepton Mallet races. 'E were a girt fleshly feller and when 'e'd got about a mile or so, 'e sat down on a 'eap of stones, and 'e puff like a pair of bellowses, and 'e got out is neck-ankercher, and 'e rub is face, thankful.
And then 'e look down and there's a girt flat foot aside o' 'isn. Then 'e look up a little further and there's a girt airy 'and by 'is knee. And then 'e look up a little further still and there's a girt wide grin.
'That were a good race, weren't it?' sez it.
'Ar!' sez Job. 'And when I've got my breath back, us'll ave another!'
