Festival Disasters and Other Play Stuff

The Edinburgh Festival has not been what you might call a roaring success, as far as The Price of a Fish Supper goes. Well, actually, everyone who has seen the play has emailed or phoned, or called in person to tell me how much they enjoyed it. Unfortunately, very few people have seen it. Most of the time, poor Paul has, like the ancient mariner, been talking away to a handful of people - which actually isn't too much of a disaster as far as this play goes, because it is written in the shape of an intimate conversation with the audience.
The problem stems partly from the fact that it was a late decision to stage the play at all, and consequently it isn't mentioned in the official fringe brochure. That, coupled with the fact that the fringe is just so big these days, means that nobody has 'discovered' the play. They have had to be pointed very firmly in its direction. And even between several of us emailing friends, relatives and friends of friends, there's little we can do to muster a proper audience such as the play had for a whole week at Glasgow's Oran Mor. Hey ho. These little things are sent to try us. And my how they do.
Meanwhile, am waiting to hear something, anything, about my new play The Physic Garden, about which there has been a complete silence on all fronts.
I submitted another script, called The Locker Room, to a scheme whereby plays are read by 'experienced readers'. My heart kind of sinks when I hear such things, because I wonder just how experienced they can be. Are they, for instance, as experienced as me? But everyone, even the most experienced of us, sooner or later needs some editorial input. The first reader loathed it and said so at length. If I had really been the starter playwright he so obviously assumed I was, I probably wouldn't have put my head above the parapet for another ten years. The second gave it much more considered, sympathetic, as well as extremely useful and insightful feedback. The contrast was quite startling. Which goes to show something, but I'm not quite sure what!

No comments: