Showing posts with label Polish fiction. Show all posts
Showing posts with label Polish fiction. Show all posts

The Fiction and the Fact - how a true story inspired a novel

 

My great grandmother Anna 

Many years ago, when I first started researching my Polish family history, I heard the tale of my great grandmother, Anna, a lady of high status even among the szlachta, the Polish aristocracy. All I knew then was that she had, somewhat scandalously at the time, married her estate manager. I was intrigued, and the more I discovered, the more intriguing the story became. 

The real Anna was left a youngish widow, after the death of my great grandfather, Wladyslaw Czerkawski. By then, she had five children, of whom the eldest was only fourteen, and two large estates, some fifty kilometres apart, to maintain. All this was in the uncertain and often dangerous borderlands of what was then Eastern Poland, but is now Ukraine. For a woman who had been cossetted for most of her married life (my great grandfather seems to have been quite a romantic) it was challenging to say the least, especially since most of the cash was tied up in land. 

One thing I did manage to discover back then, well before the internet made things so much easier, was that her youngest son, my grandfather, also Wladyslaw, had inherited the second estate, at a place called Dziedzilow, from a wealthy but unmarried great uncle, at an extraordinarily young age. Seven, in fact. Leaving Anna with a set of intractable problems, little ready money, and many people relying on her for their very livelihoods. Not to mention the demands of her own children. I promised myself that in future, I would find out more. A lot more.

Meanwhile, this information, of which I knew tantalising little real detail, fermented away in my head and the result was a novel called The Amber Heart. Because I knew so little about the real people who inspired the story, I decided to set it very firmly in the more distant past, in the early to mid nineteenth century rather than in the late nineteenth and early twentieth century of the true story. And because I had an inkling, even back then, that some people who knew the truth of the relationship might still be alive, I used the story as a springboard for the novel. Anna became my fictional Marianna, a landed lady, and her lover, Danilo, started life in extreme poverty. I loved telling that story, even though it was to take a long time to come to print. (You can read a bit about it on this blog, here.) 

Cue forward many years, and I found out all kinds of interesting and moving things about the real relationship between Anna and her much younger Jan - facts which gave me considerably more sympathy and understanding of the real estate manager than (I suspect) the family had ever accorded him at the time. Which was a pity, because he had been an intelligent young man and their saviour in more ways than one. You can read all about it in my new non-fiction book, The Last Lancer.   As ever, truth is often more messy, more nuanced, more difficult than fiction, in which we always have the impulse (and, let's face it, the permission) to shape things into a satisfactory story. 

All the same - I'm very fond of the big family saga that The Amber Heart became. I was as much in love with Danilo as Marianna, and there are things about it that can still, when I read them again, make me cry. As readers have told me, they too cry over it.

If you want to download it on Kindle, it's only 99p from now until 19th of May. A bargain, because it's a big book. If you'd rather read it in paperback, that's available too, although you'll have to pay full price for that, I'm afraid. 

The point I want to make for any writer just starting out, though, is that your 'material', whatever that is, can inspire many different ways of writing. Just follow your heart. 




New Year, New Editions


Bird of Passage is finally out in paperback. It's print on demand only, and you'll have to go to Amazon to find it, but once book events begin again, I'll have a few more copies to distribute myself. 

I've blogged about this book a few times, but you can read a longish account of its history, here, written back when we were first in lockdown. And here we are again. This is one of two or three books from my past that somehow or other, even though I've also been happily traditionally published, slipped through the net. It's also, oddly enough, one of my favourites among all the books I've written. 

The book had been edited to within an inch of its life, so I had very little trouble in publishing it as an eBook, in which format it has been available for some time. I still wanted the satisfaction of holding a paperback copy, but I knew I wasn't up to the task of doing the necessary design and formatting, even though I wanted to maintain control over it. 

Hunting about online,  I found a small, well reviewed Scottish business called Lumphanan Press. I can wholeheartedly recommend them. They did an excellent job of designing and formatting a PDF, at a very fair price and when a couple of sample copies of the book arrived from Amazon, I was very happy with them. The upload process on the site is pretty simple, but what was reassuring was the way - as the software went through various important checks - each box was ticked. I can only imagine the chaos if I had tried to do this formatting all by myself. Sometimes we have to know our own limitations and employ professionals! 

I could, of course, use this same PDF to have other copies printed elsewhere, but for the moment, in the middle of this second lockdown, I'm happy enough. 

Meanwhile, I'm working on a new book called The Last Lancer, hopefully for my publisher, but I'm also doing a little editing of two more novels that never saw the traditional light of day: The Amber Heart and Ice Dancing. The Amber Heart has, if anything, an even more chequered past than Bird of Passage! 

Ice Dancing, on the other hand, is an unashamedly contemporary love story, and yet it isn't really a conventional romance. It's an odd, quirky novel, about love at first sight, and inadvisable attachments and painful pasts, and about Scottish lowland village life. Those who like it seem to like it a lot. I'm not surprised. I'm still very fond of my two main characters. Another one I plan to get out in paperback this year. 

So. Lots to do. Between the state of the UK (horrible) and the US and the virus, I'm keeping myself reasonably sane here in Scotland with lots of writing writing, playing the piano and learning Spanish. Soon it will be spring and I'll be able to get into the garden again. It all feels a bit like those visits to the cinema in the olden days where you would sit down in the middle of the B movie and then stay on till you thought 'Oh - this is where we came in.' 

Our local medical centre has just flagged up that vaccines are coming. My husband will be in an earlier cohort than me. Bring it on. Can't wait. 


Not here just yet - but they soon will be!