Showing posts with label paperbacks. Show all posts
Showing posts with label paperbacks. Show all posts

Ten Things to Think About If You're Planning a Writing Career

 


1 - Do you want to 'be a writer' or do you want to write? If you find yourself saying that you want to 'be a writer' but haven't actually written much, while making excuses to yourself and your friends - I don't have the time, I don't have the space, I don't have a computer - then you may need to have a rethink.

2 - Getting an agent doesn't mean that you'll get a publishing deal. Even if you win the query letter lottery, ten to one you'll be asked to rewrite. Many times.  And even when you've done those rewrites, you still may not get a publishing deal. At some point, you may realise that you've wasted the time you should have spent writing another book on rehashing the previous book. 

3 - Very few people make a living out of their writing, and this situation has only got worse. Are you prepared to diversify and do other things to earn actual money? The average 'advance' - if you get one, which is debatable - is tiny. £1000 or £500 is not unusual for a book that has taken a year or two to research and write. Lots of jam tomorrow in the publishing world. 

4 - If you have written fiction, you'll be told that nobody is reading fiction. If you have written non-fiction, nobody is buying that either. If you write popular fiction, it's not literary enough. If you write literary fiction, it's not popular enough. I was once told that my work was 'too literary to be popular but too popular to be literary.' It's the equivalent of the indrawn breath when you are trying to sell a car. Nobody wants that particular model, although they absolutely do want the model they are trying to sell you. The Long Tail seems to be an unknown concept. (Read the book. It's a revelation.) 

5 - For most small to medium sized publishers, editing is not what it was. A good editor will ask all the right questions and in answering them you will make the book better. But most are now freelance, and many publishers simply can't afford them. 

6 - Are you prepared to do almost all publicity and promotion yourself? You will be expected to contact libraries and local venues. You will probably have to organise your book launch yourself, and many bookstores won't be keen to host you unless you can guarantee sales. All of this genuinely (as opposed to point 1, above) eats into good writing time. And yet you feel compelled to do it for fear of missing out on sales.

7 - The physical quality of your precious baby - aka the book - may not be nearly as good as it was even a few years ago. In fact it may involve paper like Soviet Era Polish bog roll. (Of which I have some experience.)

8 -  Once you get a modicum of traction, with a reasonably popular subject, you may be asked to talk about your book. Many commercial organisations will expect you to do this for nothing. My maddest moment was realising that I had hauled myself across the country, done a ten minute talk for a big chain bookstore, (there were four other participants I didn't know about and a tiny audience) paid for an overnight stay in a horrible room, and trekked back home. All at my own expense. 

9 - There are, of course, some organisations that may invite you to speak, give you a good meal and somewhere nice to stay and buy copies of your book as well. It has happened to me and I was incredibly grateful. But it's rare and getting rarer all the time. 

10 - Given all of the above, you may want to consider going it alone. You won't be alone. You can get help along the way. But it isn't a simple solution either. These are shark infested waters, and you need to be careful and committed. Nevertheless, it strikes me that the reverted and new titles I'm now publishing myself under my own imprint are good quality. Good physical quality as well, with beautiful covers, and nice paper. I'm the same writer I ever was, albeit with many more years of experience. And you know what? When it comes to the reading public, that long, long tail of people who like books, nobody cares who published them. 

They never even notice.




Self Publishing - Finding the Right Help

Original cover art for Ice Dancing


I don't normally write 'how to' posts, these days . But I keep meeting writers who want to dip a toe in self publishing waters, either because they have old out-of-print books nagging away at them, or because they've written more than their publisher can reasonably cope with, or because they are tired of the long slog towards traditional publication, or because they have a project that they just want to get 'out there'. 

As well as researching a new project for my traditional publisher, I've spent some time during lockdown  revamping a couple of older books. I'd already published both of them as eBooks on various platforms, but I wanted them to be available in paperback. Both of them were well reviewed, and when I went back to them I still quite liked them. Always a good sign. Like most writers, I have several bottom drawer 'practice' novels that ought to stay just where they are - but these had fallen into the gap between publishers.

First I tackled Bird of Passage, and then moved on to Ice Dancing. Let's face it, most print on demand paperbacks are never going to be as lovely as the books my publisher, Saraband, makes. They've produced some wonderful covers and beautifully designed books for me. On the other hand, if you want only a few copies, and also want your books to be available in paperback for those who can't cope with eBooks, then you might well want to look at POD paperbacks. 

My advice to anyone with even a modicum of tech skill - by which I mean if you can handle a blog like this one or sell on eBay - would be to publish your own edited eBooks, but get some help with formatting the paperback. As long as you're thinking of a normal novel or collection of short stories, it has become easier and easier to publish an eBook. I use Amazon to start with, and D2D for every other platform. You need a good clean edited Word document, and a cover, or a good cover image - and that's about it. 

I'm lucky in that my husband Alan Lees is an artist, so I can pinch his images for some of my covers. He painted the cover image for Ice Dancing, for example. Sometimes I use my own photographs. Amazon itself will give you basic cover design for eBooks, and if you're only going for the eBook version, and have a good strong image in which you own the copyright, that's probably all you'll need. But there are excellent freelance designers out there as well and you could and should think of commissioning them. 

Paperbacks are much more tricky. The paperback will demand a formatted PDF and a specific cover design, and if it's not done properly, the upload process will be fraught with difficulty. I took one look at the 'easy' instructions and realised that it wasn't for me! But I didn't want to hand over control of these two books to anyone else either. A friend suggested a company who had published her paperback, but I bought a copy and although I loved the actual book, I found the formatting, both for eBook and paperback, not as good as it might have been in return for quite a restrictive contract. There seems little point in doing self publishing, only to lose control. 

Then I found the excellent Lumphanan Press  here in Scotland. And I've been more than pleased with the service they offer. They will give you the help you need, without the hard sell so often associated with other companies. I wanted a decent cover design, for which I supplied my own images and blurbs  - and I wanted a formatted PDF that I could upload smoothly and that would produce a reasonable book. Both of these were supplied at a price I could afford. Both uploaded without any tears. I tweaked the blurb myself, realising that my original draft for one of the books had been far too long for a paperback cover - something you tend to notice only when you actually see it. 

The other error was entirely my own fault. Post edit, I had managed to delete a whole chapter from one of the novels, and then foolishly reformatted the chapter numbers so that I spotted the omission only at the last minute, when I was doing a final proof check of the PDF. Fortunately, Duncan at Lumphanan came to the rescue immediately and inserted the missing chapter without any fuss. (I always save many drafts so the chapter was still there of course!)

Realistically, I'm not expecting to make much if anything in the way of profits from these two books. And there will be a third that I'll bring out once I've completed my current traditional mega project. But they always felt like unfinished business, a few people had asked for them - and for all that I do most of my fiction reading in eBook form, these days, it's still good to hold the solid reassurance of a paperback in your hand.

If you want more distribution without being tied to that big river place, there are other print on demand options. I have friends who sell large numbers of their very popular self published paperbacks at fairs and shows, and whose local bookshops will stock and publicise their books. There is, if you look for it, a great deal of help out there, plenty of people who know more than I do about this, and are generous with advice.

Just make sure you don't sign away your rights to somebody who will then go on to demand large sums of money for doing many of the jobs you can either do yourself, or sub contract to experts. That's vanity publishing, and still a bad idea.


New Year, New Editions


Bird of Passage is finally out in paperback. It's print on demand only, and you'll have to go to Amazon to find it, but once book events begin again, I'll have a few more copies to distribute myself. 

I've blogged about this book a few times, but you can read a longish account of its history, here, written back when we were first in lockdown. And here we are again. This is one of two or three books from my past that somehow or other, even though I've also been happily traditionally published, slipped through the net. It's also, oddly enough, one of my favourites among all the books I've written. 

The book had been edited to within an inch of its life, so I had very little trouble in publishing it as an eBook, in which format it has been available for some time. I still wanted the satisfaction of holding a paperback copy, but I knew I wasn't up to the task of doing the necessary design and formatting, even though I wanted to maintain control over it. 

Hunting about online,  I found a small, well reviewed Scottish business called Lumphanan Press. I can wholeheartedly recommend them. They did an excellent job of designing and formatting a PDF, at a very fair price and when a couple of sample copies of the book arrived from Amazon, I was very happy with them. The upload process on the site is pretty simple, but what was reassuring was the way - as the software went through various important checks - each box was ticked. I can only imagine the chaos if I had tried to do this formatting all by myself. Sometimes we have to know our own limitations and employ professionals! 

I could, of course, use this same PDF to have other copies printed elsewhere, but for the moment, in the middle of this second lockdown, I'm happy enough. 

Meanwhile, I'm working on a new book called The Last Lancer, hopefully for my publisher, but I'm also doing a little editing of two more novels that never saw the traditional light of day: The Amber Heart and Ice Dancing. The Amber Heart has, if anything, an even more chequered past than Bird of Passage! 

Ice Dancing, on the other hand, is an unashamedly contemporary love story, and yet it isn't really a conventional romance. It's an odd, quirky novel, about love at first sight, and inadvisable attachments and painful pasts, and about Scottish lowland village life. Those who like it seem to like it a lot. I'm not surprised. I'm still very fond of my two main characters. Another one I plan to get out in paperback this year. 

So. Lots to do. Between the state of the UK (horrible) and the US and the virus, I'm keeping myself reasonably sane here in Scotland with lots of writing writing, playing the piano and learning Spanish. Soon it will be spring and I'll be able to get into the garden again. It all feels a bit like those visits to the cinema in the olden days where you would sit down in the middle of the B movie and then stay on till you thought 'Oh - this is where we came in.' 

Our local medical centre has just flagged up that vaccines are coming. My husband will be in an earlier cohort than me. Bring it on. Can't wait. 


Not here just yet - but they soon will be!