Real People?

 I've been watching the television version of  Uncanny, having listened to the excellent podcast of the same name. As you'll know, if you're a follower of this blog, I'm fond of a spooky story. The success of Uncanny proves I'm not alone, and reminds me of the occasion, some years ago, when I was asked to attend a meeting with people from a big Scottish media company. I'd had several successful stage plays as well as vast amounts of radio drama produced by that stage, so they wanted to find out if I might have any ideas that I could propose for TV.

Two things happened at that meeting. 

One was that I politely made it clear that - other than the basic proposal of course - I wouldn't be doing too much work without at least a modicum of development money. I'd been bitten by this kind of thing before, wasting a whole year of my writing life working on a detailed proposal that included many meetings and some sample episodes only to have it knocked on the head without even a 'kill fee' as the compensatory payment is called. This isn't unusual, incidentally. But jam tomorrow is a poor diet. 

Then I suggested something with a supernatural theme. They pulled a sort of collective face and chorused 'nobody is interested in the supernatural.' This was just before Buffy hit our screens. As William Goldman put it in his wonderful Adventures in the Screen Trade,  'Nobody knows anything.'

Anyway - good on Danny Robins for his success with the excellent Uncanny. Although the explanations of the sceptics seem to me to be much more far fetched than the accounts of the believers. The third episode of the TV version included an 'experiment' in the way infrasound can induce feelings of unease and physical discomfort in humans. I'm sure it does. But if you tell the subjects of your experiment beforehand that the place where you are going to hit them with infrasound is 'haunted' you have instantly invalidated any results! I find the sceptics irritating for more than one reason though. They just seem to be so closed minded. 

I believe that in Tibetan Buddhism, there is the concept of the Tulpa, a thought form. The Tulpa is said to be a manifestation of the unconscious mind and can assume a physical shape, even interacting with the real world. Sometimes inconveniently so. It's obvious that this is not something to be treated lightly. I find myself wondering how many of the experiences related on Uncanny might be explained by this theory. Especially those manifestations that persist and seem to pursue those who have conjured them. 

More relevant to creative writing though - when you, as a writer, create characters, they become very real to you. Or they should do. If they don't, you're doing it wrong! They persist. You can't suddenly change them, or not without difficulty. Even when a book is finished and published and you've moved on, you can, if you think about it, switch back to the world of that book, and see those characters as vividly as though they were real people - friends you've known and haven't spoken to for a while. 

They are just as real as anyone else you might meet in person or online. Perhaps more real than the people you know only online. Because you know them intimately. You can see them and hear them. And there they are - carrying on with their lives - even when you're not actually writing about them any more.

Which is a strange little thought for Hallowe'en, isn't it? 

If you want to read another strange little story, here's one I wrote earlier: Rewilding.   You can download it free from 30th October till 3rd November. 

Spooks Week: Mary King's Close

The Old Tolbooth

Once upon a time, when I was writing a lot of drama for BBC Radio 4, my late and much missed friend and producer Marilyn Imrie and I decided to book a tour of Mary King's Close in Edinburgh, with a view to a possible production. This was long before it became a visitor attraction. To see it, you had to organise personal tours through a volunteer guide who, as far as I remember, had some connection to the Royal Exchange building that sits above this strange and spooky place. 

Our interest was triggered by research that I'd been doing for my novel The Curiosity Cabinet. Although that book is largely set on a fictional Hebridean island, it was originally inspired by the story of Lady Grange, who was kidnapped from her house in Edinburgh's Old Town, at the behest of her husband. He wanted to get rid of her without actually committing murder, so he had her transported to - among other places - St Kilda. I was fascinated by the notion of how a younger woman might cope with a similar challenging situation, and The Curiosity Cabinet was the result, albeit with a happier ending! If you want to read more about the real Lady Grange, I can highly recommend The Prisoner of St Kilda, by the late Margaret Macaulay who was a fine historian. It appears to be available only as a second hand hardback at the moment which is a pity. 

It was in reading accounts of Lady Grange that I became curious about Edinburgh's Old Town. I had lived in Edinburgh for five years, and knew the area well, but what I hadn't known, until I went looking, was that part of Mary King's Close and its warren of linked rooms, had effectively been buried below the newer Royal Exchange building on the Royal Mile. If you walk up Cockburn Street towards the Royal Mile, and look up to your right, you'll spy a door, high up in the building. That door marks the lower end of what survives of the close. 

Edinburgh can probably claim the first skyscrapers in with world, with its impossibly tall 16th and 17th century tenement buildings, with narrow lanes running between them. There are plenty of these 'closes' still in existence. Mary herself, after whom the close was named, was an affluent widow, who lived here c1635. When the tenements were first built, the rich lived high up in the buildings, to avoid the stench of sewage and other refuse clogging up the alleys below. The poor lived down below, and many of the rooms in the labyrinths between closes never saw daylight at all. Contrary to popular belief, plague victims were not 'walled up' here, but this place would certainly have seen its fair share of sickness and horrible death when bubonic plague came to the city in 1645. However, the close survived, with people living there until 1753, when it was adapted to form the foundations of the grand Royal Exchange building on the site. In 1853 the lower end of the close was demolished to make way for Cockburn Street - but a large chunk of the old street and its adjoining warren of rooms survived, buried under the newer building. 

Marilyn and I followed our guide down numerous steps, through rooms that were clearly used as storage for the Royal Exchange above, rooms full of quantities of filing cabinets, old files and documents. At one point, we heard somebody rattling down the stairs, whistling loudly as he came. 

Our guide grinned. 'They don't much like coming down here, even though they have to from time to time!' he told us.

There were lights but only up to a point. As far as I remember, there was some illumination in the original, steeply cobbled close. The shops were still there. We saw open doors and windows, that would never look out on daylight again. But once we left the close and moved inwards, there was only darkness, our guide and his lantern. It was probably the single most disconcertingly spooky experience I have ever had. Rooms led off rooms. There were passageways, stone stairs and more rooms. His lantern showed us ancient wallpaper peeling off the walls. Fireplaces with the ash still in the grates. A few abandoned pieces of furniture. A cupboard in the wall with the door hanging off. Sad, sad little rooms reflecting the impossibly difficult lives of those who had once lived here.  I chiefly remember the smell of it. It smelled of damp plaster, rot, neglect, a miserable past. We went further down, all sense of direction lost, until at one point it seemed as though we were among the very bones of the city. 

'You know something,' Marilyn whispered in my ear. 'If he were to take his lamp and leave us here, we would never find our way out again!' 

Somewhere online, you will find the PDF of an intriguing book, published in 1800, and titled the History of  Witches, Ghosts and Highland Seers, including, among much else to intrigue and entertain, a chapter about an 'Apparition seen in a dwelling house in Mary King's Close in Edinburgh.' 

The account starts enticingly with somebody meeting a maidservant carrying some light items of furniture into the close in the middle of a 'flitting' or house removal. The friend asks if she intends to stay there, and on being told that she has been 'hired for half a year', tells her that she will 'have more company than yourselves'. As is usual in these cases, maid tells mistress, and mistress tells husband but he, 'with natural courage and fortitude of mind' (i.e. stubborn) decides that they should give it a try. Wisely, the servant heads off to the kirk, but 'came no more to the family.' 

The wife sees the first apparition - the head of an old man, which seems to emerge from a small adjacent room, hovering in the air, gazing at her. Predictably, her husband, who has slept through the whole thing, doesn't believe her. 

They make up a large fire for warmth and comfort, and go back to bed. Whereupon the drowsy husband sees the same old man's head, hovering in the same part of the room. His wife isn't at all happy, but they commend themselves to the Lord, like the good Christian souls they are, and go to bed again. An hour later, they see a vision of a young child 'with a coat upon it' suspended in the air near the old man. 

Tom, the husband, leaps out of bed with his wife not far behind. They are both terrified and try to wake the neighbours, who don't respond. Perhaps they are used to disturbed tenants and prefer to ignore them. The couple light more candles and do a whole lot of praying, but to no avail. 

A naked, disembodied arm appears, flexing as though in salute, and approaches so close to the husband that it seems as though it wishes to shake hands with him. Unsurprisingly, he prefers not to return the gesture. The couple retreat into the bed, whereupon - rather horribly - the hand and arm appear through the opening in the bed-curtains. They try prayers and exhortations, but the persistent arm still approaches them 'in a courteous manner, as though wishing to make their acquaintance.' 

Soon a small dog appears from the same adjacent room, jumps up on a chair and 'composes itself as it were with its nose in its tail to sleep.' They have no dog. Nor do they have a cat, although a cat follows the dog, and begins to 'play some little tricks' as cats do. Soon, the place seems to be full of leaping, dancing creatures. When they are at breaking point, they hear a series of 'deep dreadful groans' whereupon all the apparitions vanish. The narrator reports that they went 'hand in hand to the little room where the drink stood and refreshed themselves.' I'll bet they did. Oddly enough, they then assumed that the worst was over, as in fact it seemed to be, because they remained lodging in Mary King's Close thereafter. Perhaps the welcoming party had tired of the game. 

Fortunately, our 20th century guide didn't abandon us.  Nor did we see any disembodied arms. We staggered into daylight, and went in search of another 'place where the drink stood'. We never did make the programme, and now Mary King's Close is a successful visitor attraction. We went back, my husband and I, many years later. It was very good. We enjoyed it. But it wasn't half as spooky as that original strange voyage into the unknown. 

This Old House - Happy Stormy Hallowe'en

 

Shepherd's Warning 

Sitting at this desk, high up in the house, facing south, is a bit like being in the wheelhouse of a ship in this stormy weather. Every so often a flurry of horizontal rain is flung against the windows. Just like it's doing now.

I'm tired. 

In an old house like this one, the wind makes the house sound as though all 200 years of previous inhabitants, and a few from the house that was on the site before, are wandering around the place, pushing and tapping at doors, randomly, thumping on the stairs, creaking around on not-so-silent ghostly feet. It is just the wind, of course. Although if you think the wind is harmless, you've never read O Whistle and I'll Come To You. Don't do it. Don't blow the damn whistle. 

Anyway, I came to bed late, my husband was asleep, and I made the huge error of closing the bedroom door. At that point, the night was calm, a wonderful full moon was shining. And I closed the door.

I was woken at 2.30 am by the creak and muted thump as the door swung open a little way and closed itself again. This happens all the time, whenever there's a wind blowing. Just that I forget that on windy nights, I have to leave it open for the wind (or those previous inhabitants) to come and go as they please.  I was too cosy to get up, drifted off back to sleep, but only managed half an hour before more irritatingly random creaks and groans, this time from both doors into the room, woke me again - my office is just off the bedroom. 

So I had to get up and make sure the doors were open, by which time it was blowing a hoolie out there, and the various loud thumps and bangs and creaks from the rest of the house, as it adjusted to the weather, kept me wide awake. It's not frightening, you understand. Just irritating enough to banish sleep. 

I read for a bit on my Kindle. Coincidentally, I was reading Roger Clarke's A Natural History of Ghosts. I can recommend it, just not, perhaps at 3am in a very old house in the middle of a storm! 

I did doze off eventually for a couple of hours, only to be woken at 6.30 by my husband, who had had a disturbed night too, deciding that he had had enough and creeping downstairs. I followed him. The heating came on, and we sat clutching big mugs of tea - hurriedly made in case the power went off - it still could do just that - and watched Singin' In The Rain. It seemed appropriate somehow. And very cheering.

This Hallowe'en, do I think the house is genuinely haunted? I don't, really. It's old and friendly, and if any of the previous inhabitants are lurking about the place, they're very friendly too.  Although interestingly, one of my sisters-in-law stayed over in what became our son's bedroom years ago, and vowed never to do it again. I think it was the creaking doors again. It does sound exactly like somebody trying to get in. Charlie grew up with it and doesn't even notice it, although when he was living at home, even he got into the habit of leaving the door ajar on stormy nights, before he tried to get to sleep. 

Not My Ghost Story

Jock in winter 

 I've been reading the excellent A Natural History of Ghosts by Roger Clarke. (Not the R4 series of the same name but the earlier, brilliant book.) Seek it out, because it's well researched, thought provoking and entertaining. His exploration of the story of the events that may have inspired The Turn of the Screw alone is worth the price of the book. It's something very few people know anything about, perhaps because instead of a vulnerable governess, the hypothetical true story involves a brave 18th century woman, who was able to put up with a string of extraordinary events that would have had most of us screaming and running for safety.

I'm very fond of a ghost story myself and I've written quite a few - for example Rewilding is a ghost story of sorts, (and I'm thinking of writing the sequel, because there is one.) But there's also this little collection, titled Stained Glass although I think that the story called The Penny Execution in that eBook is the creepiest of the lot.

Have I seen a ghost? Well yes, yes I have. Years ago, when we were looking after my parents' dog, I was coming back from a walk one evening, when I saw an elderly man on the opposite side of the road. You have to understand that this is a small village where people often stop and chat. Besides, the dog saw him too and pulled me over the street to get to him. He was walking beside a low wall that runs alongside the old 'glebe' - the field that used to belong to the manse. 

When I reached him, he disappeared.

It was exactly like somebody switching off a TV set. I wasn't so much frightened as disconcerted. I found myself looking behind the wall, and up the long, open driveway of the old manse, to see if he was there. But he wasn't. Nobody was there. Later, my husband, who has lived here longer than me, said, 'That sounds like Jock.' And indeed, when I saw pictures of him, it looked like Jock. He was the village blacksmith and handyman and an elder of the kirk. What he didn't know about all the old houses wasn't worth knowing, and he used to patrol the village in the evening like an unofficial watchman, making sure everything was as it should be. Perhaps he still does.

The best ever 'told as true' ghost story, however, was not mine, but was related by a friend of such sound common sense, a practical man in every way, that to this day, it gives me a little frisson of fear. 

It happened many years before when he was a young man. Some of them had taken a party of scouts to camp out at Culzean, a few miles outside the town. It was a fine summer night, the wife of one of his friends was about to go into labour with their first child and - feeling worried - he had decided to walk back into town. Our friend volunteered to accompany him. So they found themselves walking along the High Road back into town, a road that on old maps follows what was once the ancient post road between Ayr and the coast (and incidentally the route that Tam O' Shanter would have taken in the poem of the same name.) 

He said his friend, anxious to get home, had outstripped him and was keeping up a good pace some yards ahead, when they heard the 'clip clop' of a horse approaching. This was about three in the morning, and at midsummer here, there would be just enough light to see what was coming. 

He looked up and saw a tall man on horseback wearing what he swore was a cloak and one of those old fashioned, wide brimmed slouch hats. 'Like a cavalier, in the pictures' he said. He wondered who on earth could be on the road at this time. He knew somebody who kept a horse and did sometimes ride out of town, (we knew them too) - but he couldn't imagine why they would be out here in the early hours, and dressed so oddly too. 

Just then his friend drew alongside the rider, paused briefly, and suddenly took to his heels and ran. Our friend said he himself stood still while horse and rider approached, looked up - and realised that there was no face, no head, nothing at all, between hat and cloak. Just a blank, black space. 

He too ran like Tam o' Shanter's mare, until he caught up with his friend. They kept on running and neither of them dared to look back till they were almost in the town. 

The road, of course, was empty. 

Not my ghost story, but a pretty good one all the same! 

A Proper Person to be Detained - a Spooky Postscript.

James Flynn, paviour, seated, fourth from the right.

My new book, A Proper Person to be Detained, is highly factual. Although since it's also a very personal account of a family tragedy and its aftermath, it does contain a certain amount of reflection - and an attempt to bring the story into the twentieth century, at least. However, in the course of all the intensive research involved, something happened to me that spooked me a bit. Even though there's almost certainly a simple, rational explanation. But like not wanting to know how conjuring tricks are done, because then you destroy the magic, I don't want to know.

Here's what happened.

I was in the middle of edits and writes, checking all kinds of dates and relationships to make sure everything hung together properly, and deep into the story of what had happened to poor John Manley, who was murdered in 1881, in Leeds, and what happened afterwards to his surviving sisters - and what became of his eldest sister, my great grandmother Mary, who had eventually married a good man called James Flynn. He was remembered as a kindly, gentle, generous man by those who had known him, and he certainly helped to change for the better the fortunes of at least one member of my family, blighted by terrible events.

It was a very chilly, sunny morning and I was walking through - of all places - Morrison's car park, on my way to the store. The low sun was dazzling me, and the car park was faintly misty as the early frost dissipated. I was preoccupied, thinking about the book, as I was pretty much thinking about the book all the time back then, when I felt a touch on my arm, and raised my head to find myself confronted by a middle aged man. I stepped back off the kerb in surprise, and he very gently assisted me onto the pavement between cars. He called me 'Madam'. He told me, in a quiet, but unmistakably southern Irish voice - a soft, rural voice - that he was very hungry, that he had had no breakfast that morning, and nobody outside the store would help him. The sun was still dazzling my eyes, but he was dressed in working clothes and boots and he looked - as I described it to my husband afterwards - 'dusty'. He was dusty from head to toe. Not dirty, but dusty like a working man is dusty.

And he had a kind face.

I took my purse out and gave him the only note I had in there - a £5 note. If I'd had a tenner, I'd have given him that instead but it was probably enough to get him some breakfast. He shook my hand, and he said 'God bless you, God bless you, madam,' and then he headed off through the car park.

When I turned around to see which way he had gone, there was nobody in sight at all.

It's hard to describe how this meeting affected me - and let's face it, I make things up for a living! I could feel a lump in my throat and tears starting in my eyes. I felt shaken. I had to go and sit down in the cafe to pull myself together. I wanted to tell somebody about the encounter but there was nobody around that I knew, and besides, it would have sounded daft beyond belief, because I'd have said, 'I think I just met my great grandfather.'

But even now, many months later, I still think I did.