Poor, Dear, Unfortunate Jean.

 

 

It has been brought to my attention that the National Trust for Scotland is holding a Jean Armour Supper in Burns Cottage on 24th January. Presumably in case potential attendees are otherwise engaged on the Bard's actual birthday on the 25th. Tickets are £100 a pop, so it's only for 'those and such as those' as the locals would say. 

Back in 2016, I researched, wrote and published what was generally accepted to be the definitive book about Jean Armour, albeit in novel form  - The Jewel. It's still available, both in paperback and as an eBook, which you will find here. Until then, she had been a mere footnote in the life of the poet. In the historical note to my novel, I point out that 'too many Victorian scholars seem to have been content to maintain the fiction that in marrying Jean, a reasonably prosperous stonemason's daughter, the poet was somehow marrying beneath him.'  Catherine Carson went so far as to call her an 'unfeeling heifer'.

Nothing could have been further from the truth. 

The poet called her his muse, in this loveliest of songs - O Were I On Parnassus Hill - one that another poet would later dismiss as a 'strained and vapid lyric.' He should be so lucky as to have somebody write such splendid words about him. 

In spite of living some eight miles away from Burns Cottage, in spite of the fact that the Burns Museum sold my books, and I had actually done a talk for them - admittedly on a different subject - last year, I found out about the event only when it popped up on my FB feed and when a few people asked if I would be there. If there were invitations, one of them wasn't for me. But perhaps it's just as well. 

Here's the publicity for the event. Can you spot the problem? 

It’s time the ladies had their own supper! Celebrate the life, love, and legacy of Robert Burns through the eyes of his muse, Jean Armour.

So it's not about Jean at all, is it? It's about the life, love and legacy of her famous husband with Jean as an also-ran. A 'ladies' addendum to Burns night. Because we can't possibly celebrate this fine woman in her own right, can we?

Back when the book was first published, I attended a particularly wonderful Jean Armour Supper. It was held in Troon's Lochgreen Hotel, it was organised by the Ayrshire Business Women, and the only men in the room were the waiters. I toasted the Immortal Memory of Jean. It still stands out as one of the high points of my working life, one of the most enjoyable events I've ever participated in. 

I sometimes wonder if my big mistake was in writing Jean's story as a piece of fiction. Well, I don't regret it, because I am first and foremost a novelist, and I wanted to get inside her head. But I'm a historian as well, and everything in the novel either did happen or could have happened. Mostly the former. A little while ago, I found myself chatting to somebody on Facebook who had been doing some research on his family's own connection with Jean. Much of what he was saying was what I had discovered as well. When I innocently asked him if he had read my book, his reply was 'LOL no!' 

I'm still not sure what was so funny about the notion of reading a well researched, glowingly reviewed book, fiction or not, about the very topic you're researching.

All this is on my mind because, among other things, I'm currently working on a play about Jean, one that will involve dramatising parts of my own book. There's a definite likelihood of a production. And perhaps we can make it a celebration of Jean herself, without placing her firmly in the long shadow cast by her husband. Who after their marriage, and even though he had once called her his 'poor, dear, unfortunate Jean', always gave her her due. 

'Then come, sweet Muse, inspire my lay! 

For a' the lee-lang simmer's day, 

I couldna sing, I couldna say, 

How much, how dear, I love thee.'

Ellisland near Dumfries, where Jean is properly celebrated.

How Not To Be A Writer - Part Two: School Days

 

Here's me, somewhere in the Galloway Hills, playing at Wuthering Heights. My companion's name was Andy and he was a gem of a dog, a Sheltie Border Collie cross who, fortunately, combined collie intelligence with sheltie good nature. He lived to be eighteen, and was one of the most loveable creatures I've ever known. 

We moved to Ayrshire when I was twelve, and dad - a research scientist by then - got a position at the Hannah Dairy Research Institute just outside Ayr, I spent most of my secondary school years here, first at Queen Margaret's School in Ayr and then travelling to St Michael's in Kilwinning for my two senior years. We spent a little while in 'digs' rented out by a peculiarly unpleasant elderly lady. I had a bedroom, but mum and dad had a sofa bed in the living room. The landlady had to come through this room to get to her kitchen, where she would cook her habitual meals of boiled fish. Looking back, I suppose she was strapped for cash and hated having to rent out rooms, but instead of knocking on the living room door, she would say 'knock knock' and come in. Dad swore that one day he would be stark naked when she did this. Unable to stand the smell of boiled fish any longer, we moved to a small caravan park outside town while my parents waited for completion on a house they were buying off plan. 

I made a couple of friends who lived nearby, which was just as well, because school was a different matter. I was an ungainly adolescent with the wrong accent. Everyone seemed to have known each other for years - which they had. The school had burned down just before we came north (I was yet to become familiar with the West of Scotland habit of burning down schools and any other inconvenient buildings) and half our classes were in portacabins. I didn't know that when the teacher asked a question, you were supposed to shut up and pretend you didn't know the answer. Which made me quite popular with some teachers, but not at all popular with my classmates. I also didn't know that when people asked you which school you went to, they wanted to know if you were a Catholic. All these years later this still happens. The response is always a sort of loaded silence. 

The other shock was how often teachers used the 'tawse' or 'belt' as we called it - a leather strap. I don't think I had ever seen corporal punishment administered till we moved to Scotland. At my primary school, we knew that the formidable head teacher had a cane in her office, and the 'big boys' might be sent there for terrible transgressions. At my girls' secondary school, it wasn't used at all. I recently came across early 20th century instructions from the Education Department in Leeds about the use of corporal punishment that seemed particularly enlightened - to be used sparingly, if at all. 

Nobody had told Scotland. The vast majority of teachers belted pupils every day, sometimes whole classes, and often for the most spurious of reasons, such as wrong answers or lack of understanding. I encountered more sadists in those few years than I've ever encountered since, skipping up and down with glee as they wielded the tawse. It did no good. The lads who were belted most often were proud of themselves, their hands grown horny so that they felt very little. 

I can still remember the awful sensation of approaching breaktimes when we would be turfed out into the playground, and I would either find myself alone or grudgingly absorbed into some group or other. Listen to Janis Ian's 'At Seventeen' and you'll know exactly what I mean, although thankfully, by the time I myself hit seventeen I had escaped to university and a whole new group of genuine friends. Occasionally, talking to people who were my classmates back then, I find that their memories are quite different from mine. They have no memory of the little digs, the jibes, the rolled eyes, the giggles. I was an incomer. Would I have behaved any differently in their shoes? Well, perhaps not. 

Once again, I escaped into my imagination. When we moved to our new house in Castlehill, I would walk out to Burns Cottage on spring and summer Saturdays and daydream about the poet. We were an adventurous little family. Dad had acquired an elderly car by this time, and we drove out into the countryside, went hillwalking, went on camping holidays, visited castles and stone circles and all kinds of places, perfect for feeding the fantasies of somebody like me who still wanted to be a writer. 

I read avidly and I wrote terrible adjective laden poetry and short stories. I was in love with the Beatles, especially John, and wrote fan-fiction before anyone had invented the concept. I discovered Tolkien, via my father, who found old copies of the books in Ayr's Carnegie Library long before they became so popular. I read and loved Alan Garner's novels and wrote a fan-girl letter to him, but made the unforgiveable mistake of mentioning Tolkien which elicited a dusty answer. He didn't like the comparison at all. I was mortified. It didn't quite put me off his books, but it taught me the valuable lesson that not all successful male writers are prepared to be patient with eager aspiring females, even very young ones.

For me, I think it was the beginning of the perception of just how many people will confidently tell you what you ought to be writing and how you ought to do it, although it would be many years and many disasters before I was confident enough to act on that perception. 

We all need to learn. The very best editors - and I've had some - will question you closely about your work. In finding the answers to those often very challenging questions, you'll make the work better - but it will still be yours. The worst editors and directors  - and I've had plenty - will confidently demand the kind of changes they think you ought to make, unaware that they are trying to shape you in their own image, trying to force you to write the book or play they would have written - if they had the time.

Years later, somebody I had worked with on a couple of projects said to me 'you know - you were far too compliant. You should have argued more.' He was right, but why he didn't tell me this at the time I will never know. That's how not to be a writer as well. You learn your craft by reading and writing and polishing over and over again. Not by blindly following advice from people's whose credentials you're unsure of. If you don't believe me, read Stephen King's brilliant On Writing. That's more or less what he says too. 

A Memory of Burns (from someone who knew him.)

 

Old Mossgiel

When he was farming at Mossgiel, where our milk comes from, Burns employed a herd-boy called Willie Patrick. Many years later, in 1859, another William, a Burns enthusiast called William Jolly, went on a pilgrimage to Burns Country, visiting Mauchline and Mossgiel. While he was wandering about Mauchline, he met Willie Patrick and asked him about his memories of the Burns family. This formed the basis for a little book called Robert Burns at Mossgiel, with Reminiscences of the Poet by his Herd-Boy. You can still find reprints online if you hunt for them. Asked to do a brief Immortal Memory speech and toast at a small local Burns Supper, I dug out my copy and reread it, for inspiration.

Willie Patrick had been born in 1776, so was in his 84th year when Mr Jolly met him. He was short, and very bent, after a life of hard labour. Jolly describes him as being in good health, clear in his mind, shrewd and full of humour. He had a staff, which he leant on, although he could walk without it.
He wrote "When making any statement, he would turn quickly round and earnestly answer me that ‘it was as sure as death’ or ‘as sure as I knock the heid aff that thistle.’"

Willie spent four years at Mossgiel, working for Robert and his brother Gilbert, between March 1784 and April 1788. This meant that he started work as a little lad of eight, and worked there till he was twelve - afterwards becoming a shoemaker, before serving in the army and eventually working for the poet’s friend, Gavin Hamilton.

At Mossgiel, he was herd callant, watching over the herd, or occasionally gaudsman, accompanying Burns when he was ploughing, to help drive the four horses. However, in view of his age, he mostly did odd jobs about the farm. Willie remembered that the Burns family lived chiefly in the kitchen, as most farming households did and probably still do. Robert’s father had died at Lochlea, a rather unhappy place for the family. The two elder boys had actually taken on the Mossgiel tenancy before their father died, without telling him, reluctant to add to his worries. Their mother, Agnes – ‘a wee booed body’ as Willie called her - spent a lot of time sitting close beside the fire. Willie said that the house was largely kept by Isabel, known as Bell, the youngest daughter, although that may have been because she was closer in age, and very much his favourite sister. There were two older sisters, Agnes and Annabella, who were probably involved with dairying, and two younger brothers, William and the youngest son, John, who died aged 16, while Willie Patrick was working at the farm.

Gilbert was a year younger than Robert, but Willie observed that he took more charge of the farm, given that Robert was so taken up with his poetry. The family, especially the women, made Dunlop cheese, a sweet milk cheese, from the rich milk of the Ayrshire cows, no doubt learning from their mother, who already had the skill of cheesemaking .

Besides the sisters, there was a female friend who helped in the kitchen, and Rab’s ‘dear bought Bess’, his little daughter by Elizabeth Paton whom he had welcomed into his house. Latterly, this large household was joined by one of Jean Armour’s first set of twins, Robert, then only a toddler. There were no female servants at all – just friends and family. After a few turbulent years, after the marriage was formalised, Jean would walk up to the farm from her rooms in Castle Street, to learn dairying and cheese making from the Burns sisters. When Jean and Rab moved to Ellisland, Burns was supposedly the first to introduce the handsome brown and white Ayrshire cow to the county. All the household slept in the house, while the male servants, including young Willie Patrick, slept in the stable loft.

Willie did little jobs about the kitchen, as well as feeding and herding cattle, mucking the byre, and running into town on various errands, but most of all carrying letters – more of them than was at all common at that time for a farming family. The poet was a great correspondent and was always sending away for books.



Gavin Hamilton's House, Mauchline

In winter, mindful of Willie’s age, they would sit him down beside the fire, opposite Mistress Burns, peeling potatoes or doing other small domestic jobs, while the women worked and chatted or sang around him. There were far worse jobs for a boy at that time.

The whole household took their meals in the kitchen, and Wille remembered that Rab was ‘aye reading,’ even at mealtimes. Gilbert was a ‘douce and sensible man’ but Willie was more impressed with Rab. He described him as smart, manly and good looking, liked by everyone except a few of the ‘stricter sort’ (including Jean Armour’s father who hated him at that time, although he came round in the end!) – and those who feared his wild reputation. He says he never once saw him the worse for liquor. He over-indulged at times, but was never a drunkard.

Most important of all, he was a ‘good master' good natured and kindly towards all those who worked on the farm, even if he seemed distracted by things that other people never noticed. 'He was aye pickin up things and thinkin ower them for a lang time’ says Willie, adding that he was a special favourite with the lasses ‘He could aye speak up to them’ – a gift, and a charm that never left him throughout his too short life.

Lovely to read the words of somebody who had known the poet and worked with him on a day-to-day basis. Especially since he was remembered so fondly as a good man and a kindly master.

 

Mauchline many years ago

Boswell Book Festival 2023 - A Ukrainian Experience

 

Last Friday I spoke at the Boswell Book Festival alongside Ukrainian refugee Liudmila Proniakina and her sister Olga, at beautiful Dumfries House, here in Ayrshire. The event was sensitively chaired by Georgina Adams in the centre of the picture above.

Liudmila and her five-year-old daughter fled Ukraine in 2022. Helped by Lara, who translated for her, and Mila's sister, Olga, who was already living in Scotland, she told story of that perilous journey. Among much else that was horrifying, it involved seven days in a freezing cold basement with bombs falling around them. The most moving and chilling moment was when Mila pointed out that her worst fear was that the adults would be killed, leaving her infant daughter to the Russian soldiers. At that moment, the hideous reality of the situation Mila and her family found themselves in struck the whole audience. 

For me, who has spent some years researching my grandfather and my father's WW2 experiences in Lwow (now Lviv), reconstructing lives that were torn apart and, in my grandfather's case, cut short by war, Mila's account had an added resonance. Dad was in the Warsaw Uprising, was liberated from a Nazi labour camp and finally settled in the UK. My book The Last Lancer shares his story. But hearing intriguing stories from much loved family members is one thing. Hearing similar stories in the present day has an immediacy that no historical account can ever quite equal. 

The thing that struck me in speaking to my father about this - and still strikes me listening to Mila - is the incredible suddenness of invasion. I don't think we, who live on an island that has seldom known invasion, can ever understand how instantly everything can change. The normal, the precious mundanity of everyday life, changes overnight. 

Even while I was writing my book, I was seeing TV pictures of a little Ukrainian boy, trudging alone towards the Polish border, clutching his passport, and weeping. I wept with him and for him, but I think I was also weeping for the brave boy that my father had once been, heading for another border that turned out to be closed, and then heading back to the city, all by himself, clutching his little brown suitcase. 

I was so grateful to Liudmila and her sister for sharing something of these experiences with us. I've found myself thinking about them and everyone else caught up in this situation every single day. 

Also, profound thanks must go to all involved with The Boswell Festival for organising and facilitating this most relevant of sessions.

At Dumfries House

The People of the Black Foot and Other Curiosities

 

When you start to research a piece of writing - in my case new fiction  - you can find yourself following strange threads that lead you back in time to something unexpected. As happened to me last week.

I love research. My first degree was in Mediaeval Studies, and then I did a Masters in Folk Life Studies. Everything I learned then still informs the things I write. But the problem is knowing when to stop. You enter a labyrinth and you may never find your way out again.

Some years ago, when I was researching and writing my novel about Robert Burns's wife,  Jean Armour, The Jewel, I came across the notion of a 'go between' - somebody whose job it was to arrange the courtship and marriage between two young people. Here in Ayrshire, at the time of Burns, that person was colloquially called a 'black fit' or black foot. And no matter where I looked or who I asked, I could find no very convincing etymology for the term. It was definitely in use. To quote my own book: 'A black fit was somebody, often an older woman or man, whose help might be enlisted to carry messages back and forth between lovers. ... Sometimes a black fit was needed where parental disapproval might be a bar to meeting. Sometimes it simply meant that a respectable person would act as match-maker within a small and curious community, easing the means of two young people getting to know each other.'

In my novel, Rab and Jean use the services of an older woman called Katy Govan as their 'black fit' to facilitate their courtship - as indeed it's believed they did. 

Back in 2020, in the middle of lockdown, I wrote several posts about the history of this part of South  Ayrshire or Carrick. You can find the first one here - A Little Bit of Ancient Carrick History   and the second one, on Place Names and Clan Names.   There are two more and you'll find links to them in each post.

But now, I think I may have drawn the wrong conclusions about the 'tribe' who lived in this part of Carrick, the people who may have had dark, curly hair. Because somewhere among my reading over the past few weeks, I came across another reference to the 'tribe with black feet' in Kirkmichael. And this time the writer suggested that they may have been so called because they were people who wore hand made hide brogues, with the dark 'hairy' side facing out. Making them distinctive. It seems odd, but possible. Especially when you realise that nearby Maybole  has a long tradition of boot and shoe making, extending right into the 20th century!

At the same time, another historian pointed out that the Celtic 'tribe of the black feet' were the 'kindred' - the Galloway and southern Ayrshire clan - who would later become the all powerful Kennedies, one of whose prerogatives was to organise marital alliances between various members of this huge extended family. So maybe you would go to the 'black fit', aka your Kennedy chief or kenkynol of your muinntir or household, if you wanted to arrange a wedding!

Following the threads of this research, I also came across a wonderfully haunting song called Oran Bagraith, which is judged to be the earliest known example of the Galloway language, (other than place name evidence which is much older and prolific) - a  mixture of Gaelic and Brittonic, with some words that nobody can translate. But it certainly belongs here, containing references to various local place names and to the people of the black foot. You can read about it on this site and listen to the song here.   The song is a 'song of defiance' and may have been composed as a lament for the 2nd Earl of Cassilis, Gilbert Kennedy, who was murdered in Prestwick in 1527 by Hugh Campbell, Sheriff of Ayr. 

'Wrapt up in the folk of the black foot

in their agriculture and grazing

in the genealogy of the folk of the wolf

well mounted diamain* warriors

They would be salmon fishing in Lochinvar

They would be deer hunting in Carsphairn

They would be badger hunting in Glen Shamrock 

They would be feasting in Dalry'  

NB This is St John's Town of Dalry and Glen Shimmerock is a few miles to the North East of that town. *Diamain seems to have some Gaelic correspondence with Scots Gaelic Diobhain  This paper is interesting, but essentially only if you're already a Gaelic or Welsh speaker. If anyone can tell me what diobhain actually means, I'd be grateful! 

So there you go. No conclusions, but lots of questions. Galloway had plenty of MacLellans who were the 'folk of the wolf'. But the Kennedies were the 'black feet' and maybe these early Kennedies spoke a unique Galloway language with words and grammar that seemed to belong partly to Gaelic and partly to some form of Brittonic. Wikipedia will tell you that these people were 'erroneously' called Picts. But more recently scholars have recognised that some carved stones in Galloway certainly have what seem like Pictish symbols. 

Mystery upon mystery. 

Of course I'm writing fiction now, so I have a bit of leeway. But the facts and speculation underpinning all this are fascinating. 

A 17th Century Con Man Part Two - The Plot Thickens

 

The Dyrock Burn, from the Kirkyard

We continue with the session's accusations against Wm Houstone whose behaviour seems to have grown ever more bizarre but ingenious.

Art 5th That the said Mr Wm Houstone is guilty of gross and notorious cheating. 

Instance 1st that having borrowed a horse from Mr Hew Whyte, now minister of Dunnipace did exchange the same with Hew Fergussone, and the said Mr Hew making enquiry for his horse, the said Mr Wm did plead with the person with whom he had changed to give back the horse and engaged to pay twenty shilling sterling for the use of the horse he had gott, and for payment of the same gave a bond of five pound sterling, due to him by John Alexander of Drumochreen with a commission to uplift the foresaid twenty shillings out of the first end of the foresaid soume, but desired that it might not be craved for a twelvemonth, the person who had gott the said bond, requiring the foresaid twenty shillings from Drumochreen, he shewed a discharge of the foresaid bond, dated about a month after his precept. This is proved by Hugh Fergussone himself with whom he exchanged the horse.

(William was clearly a rather good con-man!)

Instance 2nd The said Mr Wm Houstone having gathered a considerable soume of money in the borders of England under pretence of supplying the suffering people of Scotland and having bought drugs with a part thereof, and brought the rest home with him, the Laird of Drummastone hearing that he had money and not knowing by what means he had got it, and standing in need of money at that time, desired the loan of it, the said Mr William granted the same and appointed him a day to come and receive it. The gentleman coming accordingly and bring with him a subscribed bond, the said Mr Wm told him that he had no more there with him, but ten pieces, but the rest was at his father’s house in Maybole and if the gentleman would go thither with him, he should have the complete soume which he might easily do, being on his way to Edr (Edinburgh) when they were come near to Maybole within a mile or two of it, the foresaid Mr William told the gentleman that there was a gentleman nearby whom he behoved in civility to visit. The said Laird of Drummastone intreated him not to stay. (i.e. not to linger long.) Houstone replied that his horse being young was now wearied and that he might come up the sooner, desired he might have the pounnie (pony) upon which the gentleman’s man was riding with the cloakbag and having thus exchanged horses he went out of the road as if he designed to pay his visit, but instead their-of he took the subscribed bond out of Drummastone’s cloakbag and hasting up and giving back the horse, he desired the gentleman to stay at an Inns till he should bring the money to him, instead of which he went off with the bond which he had taken out of the cloakbag and within a short time, pursued the gentleman upon the same.

(So not only did he manage to steal the ‘bond’ from the bag on the servant's pony – the evidence of a loan he never paid – but he then tried to pursue Drummastone for cash he had never given him! I wonder what were the drugs that he bought.)

Instance 3rd The said Mr William having persuaded John McEon,a country chapman to bestow his stock upon sheep and goat skins which he might carry to Holland, assuring him he would make a gainful voyage and having gone with him to Borrowistouness (Bo’ness) the said Mr William did steal from the chapman a great part of the said skins after they were put on board of the ship and sold them again.

Instance 4th The said Mr Wm Houstone having hired two horses from William Sloan, Stabler, in Edinburgh did sell the same as if they had been his own.

Instance 5th likewise cheated John Kairns stationer in Edinburgh of a great many of Calderwood’s Histories, (i.e. books) buying them at eight pound and selling them for six as if they had been his own.

(How he made a profit on this is unclear, but perhaps he never paid the sum for them in the first place - only promised it.)

Art 6th Notwithstanding of the notoriety of the said crimes, the said Mr Wm Houstone did take upon him to preach and particularly did presume to invade and usurp the pulpit of Kilsyth within the presbytery of Glasgow not only to the scandal of all good Christians but to the manifest contempt of all good order and contrair to the express prohibition of the said presbytery under whose inspection the said church is, and contrair to his own bond to the privy council, and when he was cited to appear before the said presbytery to answer thereto and was by them referred to the Synod, he did contemptuously and contumaciously neglect to appear before the same and did presume to go to Flanders to complain to his Majesty as if he had been injured and pretended he had a commission from many thousands of presbyterians in Scotland to represent to his Majesty their grievances and did return with forged letters of recommendation under the Earl of Portland, his secretary’s hand, to be settled in the peaceable possession of the kirk of Kilsyth. He did continue in the usurpation of the said pulpit of Kilsyth and kept the keys of the said church and refused to admit Mr John Pettigrew, a member commissioned by the said presbytery to preach at the said kirk and does still pretend to be a lawful ordained minister though adducing no authentic testimonials of his licence or ordination before an church judiciary within this kingdom, though often required to do.

(To go the length of Flanders to petition the king is rather extraordinary! Thereafter, he seems to have taken over the kirk at Kilsyth, and refused to leave. I wonder if any parishioners came to hear him preach?)

The Synod having considered the foresaid libel and having found the first four so very material articles clearly proven and that the said Mr William Houstone is an infamous person, and is justly lyable to the highest censures of the church and being loath to multiply oaths, they did supersede the judicial probation of the rest of the articles and instances of the libel though they had sufficient evidences to instruct the same and money more of the like nature.

(There were lots more instances of his dishonesty - too many for the Synod seemingly, who decided that they had enough evidence without listing all of his crimes.)

And the Synod having found the foresaid Mr Houstone guilty of the above libel and heinious scandals and that to all he has added a long continued track of contumacy and most manifest contemning and reproaching of the whole ministers of this church, although yet he professed himself content to meet with them providing they had passed all his scandals and immoralities without any acknowledgement or censure for the which the Synod judgeth the foresaid Mr Wm Houstone worthy of the censure of excommunication and appoints him to be excommunicated and shut out from the communion of the faithful and delivered over to Satan and that in the high innerkirk of Glasgow upon the 22nd day of January 1683 ( sic subscribitur) Extracted per Robert Campbell, Synod Clerk.

In obedience to which sentence of the synod Mr Thomas Kennedy, one of the ministers of the gospell at Glasgow did upon the 22nd day of January 1693 in the high inner kirk pronounce and declare in the name of the lord Jesus Christ the said Mr Wm Houstone excommunicated and shut out from the communion of the faithful and in the same name and authority of Jesus Christ delivered the same Mr Wm Houstone over to Satan for destrucyion of the flesh that the spirit may be saved in the day of the lord. Sic subscribitur John Spreul, clerk to the presbytery of Glasgow and general session of the toun.

(Dreadful, is written in the margin. And an illegible word, possibly ‘this dreadful sentence’. But I’m not sure what ‘destrucyion of the flesh' means in this context. Scotland was still burning witches. Did the kirk have the power to execute Houstone? Or did they simply mean that - as he had wished on his own family - the devil would deal with him? What happened next? Did he go into exile? I think we need to know!)

There Was a Lad and all that

Happy birthday to Robert Burns who was born on this day, here in Ayrshire in 1759. I knew little about him when we moved up here in the early sixties, but I quickly became a fan. Over the years, I've written a radio play and then a stage play about him. But my biggest project was The Jewel, a novel about the poet's wife, Jean Armour, and a companion anthology called For Jean, Poems, Songs and Letters by Robert Burns for his wife. He called her The Jewel of them all, and so she was. But although the novel is a third person story (he said, she said)  it is nevertheless very much told from Jean's point of view, So of course, I too began to see the poet from his wife's point of view. 

And was equally charmed by him. 

Whenever I've done book events or talks about the novel, somebody in the audience - usually a woman - has asked me what I thought about him, and I've always had to confess that I reckon in Jean's shoes, I'd have fallen for him too. Hook, line and sinker. 

One of his most attractive qualities must have been his sense of humour. He made people laugh. He made women laugh. He genuinely seemed to like women, young, old and every age in between  - which for a man of his time was a fairly rare quality. If he had to fall in love to write a love poem - as he himself admitted - he also had many genuine friendships with women throughout his too short life. He had his faults, but my goodness he must have been attractive. 

Anyway - hope you've got your haggis and neeps and tatties for tonight. (I love Burns, but haggis, not so much!) - and perhaps a wee dram as well. 

Here's my very favourite version of Rab's song about himself, from the late, wonderful and much missed Andy M Stewart: Rantin Rovin Robin. 

There was a lad was born in Kyle,

But whatna day o' whatna style,

I doubt it's hardly worth the while

To be sae nice wi' Robin.

Chorus  - Robin was a rovin' boy,

Rantin', rovin', rantin', rovin',

Robin was a rovin' boy,

Rantin', rovin', Robin!

Our monarch's hindmost year but ane

Was five-and-twenty days begun

'Twas then a blast o' Janwar' win'

Blew hansel in on Robin.

Robin was etc

The gossip keekit in his loof,

Quo' scho, "Wha lives will see the proof,

This waly boy will be nae coof:

I think we'll ca' him Robin."

Robin was etc

"He'll hae misfortunes great an' sma',

But aye a heart aboon them a',

He'll be a credit till us a'-

We'll a' be proud o' Robin."

Robin was, etc

"But sure as three times three mak nine,

I see by ilka score and line,

This chap will dearly like our kin,

So leeze me on thee! Robin."

Robin was, etc

"Guid faith," quo', scho, "I doubt you gar

The bonie lasses lie aspar;

But twenty fauts ye may hae waur

So blessins on thee! Robin."

Robin was, etc

Spooks Week: A Haunted Road

 

Culzean Castle 

This isn't my story, but it was told to us by the friend involved, a man of profound common sense, not to say scepticism, which made it all the more impressive. 

He and a couple of colleagues had taken a party of scouts to camp at Culzean Castle for the weekend. This was a local event and they were pretty close to home, which was just as well, because the wife of one of them was in the advanced stages of pregnancy. They had, however, hiked there, carrying backpacks, and had no other means of transport. 

In the early hours of the morning, a message came through to the Castle that she had gone into the early stages of labour. This was before the days of mobile phones, so it was a landline message. Not wanting to inconvenience anyone further, the husband decided that since it was a fine summer night, he could easily walk the few miles back to the town of Maybole, to pick up his car. Our friend said that since there was still a supervisor left behind for the youngsters he would keep him company along the road and come back to the campsite in the morning. 

If you don't know this part of the world, there is a road running to the west of the A77, closer to the sea.  Head south and it will go to Maidens and will ultimately rejoin the main road south at Turnberry where Mr Trump has his hotel. Northwards, it will take you to Ayr, but a few miles north of Culzean, at a place called Pennyglen, you can branch off towards Maybole. At night, it's a quiet rural road, and certainly the quickest way back to the town. 

Remember, this is an old road, with a violent history. Or at least the surrounding countryside has a violent history. In the sixteenth and seventeenth centuries, there were two factions of the Kennedy family, the Earls of Cassilis and the Lairds of Bargany, holding sway north and south of here, and sometimes they came to blows. The feud had been long and bitter. Most notably they came to much more than blows when young Gilbert Kennedy, the Bargany heir, fell victim to an attack by the powerful Earl of Cassilis on 11th December 1601, as he rode from Ayr to Girvan, a journey of some twenty two miles. 

'He was the brawest manne that was to be gotten in ony land,' says a contemporary chronicler, in the old Scots of the time. 'of hich stataur and weel maid, his hair blakk, bott of ane cumlie feace'.  In other words, he was tall, dark and handsome. Even though he was 'feerse and feirry and wander nemble' (fierce and fiery and wondrous nimble) this was a deliberate ambush, the odds were stacked against him and he and his travelling companions were wounded or murdered. Astonishingly, he was carried to Maybole, mortally wounded but still alive, where Cassilis, in his role of 'Judge Ordinar' of the county threatened to kill him if he showed any signs of recovery. He was further transported to Ayr and died there a day later. 

If you're intrigued, you should seek out S R Crockett's The Grey Man, a novel that will tell you a lot more about that time and place. 

But - to resume our spooky tale. 

The two men were young and fit, and they were walking smartly along the road in the direction of Maybole, when they heard, somewhere in the distance, the distinctive clip clop of approaching horse's hooves. Summer nights are short in this part of the world, and the sky was already beginning to grow lighter with that liquid grey light of very early morning. The rider seemed to be coming closer. Now riders are not uncommon on these roads, although as our friend said, not usually at three in the morning. But they weren't unduly worried. They carried on walking. 

The expectant father, anxious to get home, had pulled some yards ahead. Our friend said that around the bend in the road, just ahead of him, came a tall black horse with a tall rider, swathed in what appeared to be a dark cloak. Surprisingly, he seemed to be wearing a 'slouch' hat - 'like the ones you see in the movies', he said. His first thought was to wonder what on earth somebody was doing riding in fancy dress along the back road from Maybole to Maidens. 

However, that thought quickly gave way to surprise when he saw his friend pause for a few seconds, and then quite suddenly take to his heels, run past the rider at a rate of knots and head off into the distance. He was standing stock still in astonishment as the rider calmly trotted past him. Who could it possibly be, to give his friend such a fright? 

He raised his eyes to the figure.

'As true as I'm sitting here,' he said, 'there was no face at all, no head even, between the hat and the cloak. Just a gap where it should be.'

'What did you do?' we asked.

'What do you think I did?' he said. 'I ran too. I don't think either of us stopped until we were back home in Maybole!' 

Loving Ayrshire

 

It's no secret that I love Ayrshire. We moved from Leeds, years ago, when I was twelve, and my biochemist father got a job in a research institute here. I never enjoyed school much, even though I did quite well academically - but I adored the countryside and history of this lush, green and, let's face it, rainy county. If you can put up with the rain, it's considerably warmer than the rest of Scotland, and warmer than much of Northern England. Winters are much milder than in my native Leeds. 

Holidaymakers tend to pass it by in the mad rush for the Highlands, but the scenery is spectacular and the history is fascinating. Not surprisingly then, it has featured in at least some of my fiction, in novels such as The Jewel and Ice Dancing, as well as in many of the radio plays I used to write, notably a couple of series: The Peggers and the Creelers and Running Before the Wind. I'm planning a new series of novels even as I write this, and guess where they are mostly going to be set? 

I was happy to be asked to record a reading for this year's Tidelines Festival and chose a passage from the Jewel, about an early encounter between our very own Robert Burns and the woman who was destined to become his wife, and who was quite clearly the love of his life: Jean Armour. I didn't much want to record myself just sitting on a rock reading and my tech skills weren't up to recording myself walking and reading on a smartphone - so I included a sheaf of my own pictures of Ayrshire, as well as some lovely watercolour images from a Victorian artist called Janet Muir, who lived in Mauchline. Nice to see that the person putting the video together worked a bit of magic on them all. 

Anyway - here it is. Grab yourself a cup of coffee and watch the whole Love Ayrshire video. You'll find me, and a sheaf of other Ayrshire writers too. 

Happy Birthday, Rab

 

I'm reblogging this post - with a few changes - from 2016, when the Jewel, my novel about the poet's wife, Jean Armour, was first published by Saraband. After all, it's the right time of year, even if the only Burns Suppers we'll be attending will be online. I never thought I would miss book events as much as I do but I miss meals with friends even more, and that's what a Burns Supper is, after all - a meal with good friends. And poetry. And song. Mind you, it's probably my least favourite meal of the year, given that the only parts of the menu I like are the oatcakes and cheese at the end. 

After many conversations about Jean and Robert Burns, with individuals and groups, I’ve realised that some misconceptions about the poet are still very much in existance. These are beliefs I thought had been disproved by more distinguished academics than me years ago.

So many people have repeated the notion that Burns was a drunkard. He wasn’t, but it goes back a long way. A mean spirited Dumfries draper called William Grierson attended his funeral and wrote that the poet was ‘of too easy and accommodating a temper, which often involved him in scenes of dissipation and intoxication, which by slow degrees impaired his health and at last totally ruined his constitution.’ 

Well, he was as fond of a drink as the next man, at a time when the next man often consumed a  prodigious amount of alcohol, the gentry even more than the poor. Partly this was because in the cities at least – less so in the countryside where many houses would have a well – fresh water was at a premium and it could be safer to drink ale, although ‘small ale’ contained very little alcohol. 

Actually, Rab was probably less inclined to overindulge in hard liquor than most, although he certainly had his moments. But when you look at the body of work he produced, alongside a vast amount of clever, entertaining, thought provoking correspondence, as well as hard physical work, first as a farmer and then as an exciseman, riding some 200 miles each week, winter and summer alike – and being a loving father to a great number of children - you can see that the occasional spree is much more likely than any persistent problem. 

He was a social drinker on high days and holidays. He also thought the odd ‘session’ contributed to his creativity, as perhaps it did. He was sometimes led astray by wealthy men who ought to have known better. And during his last grave illness, alcohol seems to have given him some slight relief, if only as a painkiller. But it wasn’t what killed him. 

He didn’t die of the drink, and he didn’t die of consumption either. The evidence seems to point to a diagnosis of endocarditis: chronic, although not necessarily fatal, inflammation of the heart muscle. This would certainly have been a challenge to a constitution already weakened by rheumatic fever in his youth. Here too was a man who was involved in hard physical work in all weathers.

In Dumfries, his health already deteriorating, he developed a painful tooth abscess, and it’s now thought that the resulting massive infection could have been enough to trigger acute endocarditis. He became gravely ill, with all the symptoms of that painful condition, and died the following summer. During his last few weeks, with his illness exacerbated by the 'cure' of seabathing in the chilly waters of the Solway, he seems to have been able to eat nothing. Milk mixed with a little port wine was all that gave him any relief. But the ‘flying gout’ diagnosed by the doctors of the time was only a way of describing the dreadful widespread pains that must have beset his attenuated body during his last few weeks. 

I’ve been asked more than once if I thought Rab was a violent man. Well, I reckon he was a lover not a fighter. Fond of fishing, he was no fan of shooting and once took a neighbour to task for wounding a hare on the borders of his land (and wrote a scathing poem about it afterwards). He loved his children and was happy to work with them playing around his feet. Not for him the retreat to the study and the writerly hush. He was by all accounts an indulgent father who appreciated a little mischief. 

He was, nevertheless, a man of significant presence, physical and intellectual. He was a better friend than an enemy and was known to threaten to ‘skewer in verse’ anyone who overstepped the mark, like the Celtic bards of old. But his reputation was always for non-violence, for tolerance and good humour and there is no evidence that he was violent towards any of the women with whom he was associated. 

Except for one notorious occasion.

Who knows just what went on with Jean in the stable in Mauchline when the couple were at their lowest ebb? Was it overwhelming passion or something verging on rape? We have Burns’s own version in a letter to a friend, bragging about a coupling he had persuaded himself Jean enjoyed as much as he did. But Rab was a chameleon and could write what he thought might most impress an individual correspondent. We would know nothing about this episode if the poet hadn’t chosen to brag about it himself. 

We know that Jean was struggling with a mass of intractable emotional problems, not least a second unwanted pregnancy, and she went into labour very soon after the incident. She undoubtedly loved this man but she can't have been anything but shocked and hurt by his behaviour. We also sense that the poet was ashamed of himself, in spite of the bragging letter. He was the son of a highly moral father, and it seems significant to me that during this second pregnancy, with Rab in Edinburgh, Jean had taken refuge near Tarbolton with the family of Willie Muir, a friend of Burns senior, as much if not more than Rab and the Armours. 

The tension between desire – theirs was clearly an intense mutual physical attraction – and Jean’s obvious vulnerability presented me with some problems as a novelist. All the same, I suspect my interpretation of events may be closer to the complicated truth than the poet’s version. May be closer to Jean's perception of it as well. 

Finally we should remember that we are reading and writing about an 18th century man. Very different times, and not always comfortable to contemplate, but we can't rewrite history or historical attitudes to suit our own sensibilities. Laddish he may have been, but the term 'sex pest' belongs in 21st century tabloids. 

For his time at least, the poet’s ability to project himself into the minds of the ‘lassies’ – to defend them and appreciate them and befriend them, older women as well as young  – is one of the things that most endeared him to me when I was writing the Jewel. 

I suspect Jean loved him for it too.

A Little Bit of Carrick History, Part Four: Life in an Eighteenth Century Manse

The Glebe

Moving on many years, for my final part of this gallop through the older history of the parish - there is a surviving notebook which describes life in the manse of Kirkmichael about 1720, when Mr James Laurie was ordained minister, and Kirkmichael had a population of 700 souls, scattered throughout the parish in a number of clachans. The village as we know it today was not yet in existence. 

In 1904, the Scottish Historical Review included a fascinating fourteen page summary of this notebook, later published by the Edinburgh University Press, and if you're interested, you can access it on the JSTOR site which gives access to academic articles. You'll need to create an account as an independent researcher, but they have made access easier during Covid. Look for Life in a Country Manse, about 1720 for a vivid and fascinating overview of life in and around Kirkmichael 300 years ago. 

This was well before the present kirk was built in 1787, although the lych gate, still in existence, dates to 1702. Once again, we can conclude that the parish had grown during the intervening period, with episodes of Covenanter activity disturbing the peace of the people. 

Life in the Manse

At the time when James Laurie was keeping his meticulous household accounts, the manse itself was by no means the grander building of later times, but was instead a smallish thatched house with a kailyard in front, half glazed narrow windows, thick walls, and four rooms divided by wooden partitions. It probably stood where the old manse of Gemilston stands now, although we can’t be sure. 

There was no 'village' as such. Kirkmichael was a remote parish, 'through which ran tracks over the moors to Maybole and Ayr.' Even the mansions of the lairds were 'homely and unpretentious' although we are told that Kirkmichael House was exceptional in being 'as desirable a dwelling in all the country, having good gardens and orchards, the first in Carrick planted with peaches and apricocks' 

From 1711 – 1732 James Laurie noted down memoranda of his income, his expenses and the details of his daily life, and these give us a fascinating picture of what that life was like. In the Manse, lived the minister, his wife Ann, and their children, four boys and three girls, as well as the minister’s sister, Betty. There were, besides, three women servants, a serving man and a herd lassie who slept over the byre. 

Money Problems

The minister was funded by the local people, lairds and farmers, but sometimes his stipend was hard to come by. It seems to have been very difficult for him to get his parishioners, even the reasonably solvent ones, to pay to keep the manse in a good state of repair. A lot of bartering went on, with the stipend sometimes being paid in meal and other necessities rather than money. Sometimes even that was hard to come by and he would wait three years for his payment. Often the lairds would give the minister 'precepts' or orders on their tenants, in lieu of actual cash, so the poor tenant farmers would have to give some of their own harvest to the minister, in the shape of malt, meal, barley, grey oats, white oats and something called 'horse corn' which would arrive in sacks or creels, on horseback, and have to be stored away by the minister for future use.

We should note here that the payments were, for most of the 18th century, still in Scots pounds and shillings, which had been considerably devalued, had been replaced by sterling after 1707, but which continued to be used, so the sums mentioned are smaller than you might suppose.

The manse is often in a poor state of repair and the 'heritors' who are supposed to attend to such things, resist spending money on its upkeep so that the minister himself must foot the bill from his stipend:  'Paid William Simson 4 shillings and sixpence for the window in my room, twelve foot of glass and mending ane old window.'  

Clothes and footwear

Woollen fabric such as 'grey plaiding' is made by local weavers, and is used for the minister's and his son's clothes, although he has a fine 'coat of blue broadcloth for solemn occasions' such as when he travels to Edinburgh to the General Assembly. In winter, the women of the house, including Ann and Betty, are engaged in spinning yarn, which they then weave into cloth for their own purposes, as most people did back then. However, Ann - as befits the minister's wife - has a gown of 'Musselburgh stuff' (this seems to have been fine quality woven wool) made by a local tailor for ordinary wear. The women also sell some of their work to the weaver who comes looking for customers' work to sell on. Ann and Betty are happy to sell Lady Killhenzie 'cloath napery' for 14 shillings. The minister has a flock of sheep to supply his own wool, and grows flax on the glebe so that the family can make their own linen. 

There are tailors in some of the clachans, with an interesting reference to a tailor from Straiton making a 'sackcloth' gown for one unfortunate Janet Kennedy. Adulterers and 'adulteresses' were supposed to appear in church in sackcloth robes, but even at this time, the practice is falling out of favour, and by the time of Robert Burns and his transgressions with Jean Armour some sixty years later, there is hardly a tailor to be found willing or able to make such a thing, nor a minister insisting on it. 'Daddie' Auld certainly doesn't. Mr Laurie, however, does seem to have approved of it and there is some mention of culprits 'not appearing in the kirk without sackcloth'. 

A travelling shoemaker, probably from Maybole, makes shoes for the family, in preparation for which, Mr Laurie gets in leather, hemp and rosin, the tanned leather often coming from his own beasts. The shoes tended to be for best, and for wearing to the kirk and for travelling, rather than for everyday use, although Ann has comfortable 'cloath slippers' made for herself. In August 1716, 'James Niven and his servant 'wrought nine days' making shoes for the family, for which he was paid board and lodging, plus 'six and a quarter pence sterling and seven pence for timber heels.' 

Household goods

The entries on other household goods are particularly fascinating. In Maybole, the minister buys hens and eggs too, as well as cheese, sugar, tobacco, coals, thread, soap and gunpowder. He spends money on 'plaiding' and on the wigmaker to mend his wig, a wig being an absolutely indispensable item for men of importance at the time, even quite young men, as he was. He spends a good deal on 'sugar candie' but some of this is to ameliorate the taste of the nasty medicines of the time, as we can see from its inclusion in various recipes, among which we find baked ground mother of pearl mixed with powdered slaters (i.e. woodlice) Those medicines involving the contents of the herb garden, however, seem more palatable and more efficacious, witness the use of horehound and coltsfoot for a cough, something still found in herbal cough mixtures today. 

Tea drinking is only just becoming fashionable and Mr Laurie buys 'lime' (meaning loam or earthenware) to drink it from. A pound of 'Bohea' or black China tea costs a massive 24 shillings. But they are a la mode  at the manse and must have indulged in the habit from time to time. 

In Edinburgh he buys not just useful vegetable seed for the manse kitchen garden, such as 'colliflower' lettuce, carrots and parsnips, but seeds for his flower borders: ‘africa marigold, sunflower, jelly flower, luppyns, double holly oaks, bella donna’ and others. I love the fact that even then, they had a flower garden, but we should remember that these also had medicinal purposes. He buys in wine for household use. Ale is brewed at home, but we sometimes find small sums for 'ale' in the accounts which represents coins given to tradesmen who come to the door with deliveries. 

Other small sums are given out to the wandering poor, of which there are very many, not least Scottish sailors who have been captured by pirates, sold into slavery, escaped and finally arrived home in a penniless and broken down state. 'To a poor man taken a slave in Algiers' or 'To a slave from Algiers, dumb'.

Balancing the books is always difficult, and with no enclosed land and few improvements, overwintering of beasts, even for the minister, is very hard and there are losses, although nothing is wasted and hides will be tanned for leather. It is obvious that without a bartering system it would have been impossible to survive. Mr Laurie is even forced to borrow from his canny sister Betty on one occasion, who charges him interest on the transaction. She needs cash for pins, needles and knitting thread.

Books and learning

Learning is a wonderful thing and he has managed to acquire a great many books - perhaps some from his minister father - which he lends to his friends, including the sons of local lairds, as well as ministers from neighbouring parishes. Human nature being what it is, the books sometimes go missing and he writes 'I do not know who has this' rather plaintively. (I have much the same problem!) His children go to the village school, and perhaps then to Maybole, Ayr and Glasgow for their further education. One of his sons, George, becomes a minister in turn and as minister of Loudon has a large part to play in encouraging Robert Burns. 

It's apparent from all this that most of the houses in what now constitutes the old parts of the village were not built till much later in the eighteenth century, well after James Laurie was buying his flower seeds in Edinburgh. When we had occasion to take down a bit of wall to build an extension, some years ago, we found the stones of a much older house, including a lintel, used as infill in the wall. Where from? Presumably from one of those much older cottages in the vicinity of the manse, or closer to Kirkmichael House or even further afield. 

There certainly used to be more cottages along the road towards Crosshill, towards the farm of Merkland. Older people here remembered the ruins. There was also the ‘Waukmill’ along there, where the cottage-woven fabric was taken to be stretched. There is little left of it now except for a shell of stones, down by the river at Merkland Farm. Incidentally, it is possible to trace some of the history of the parish through its mills of various kinds, many of them along the banks of the Dyrock burn or the River Girvan. 

There is a great deal more to the story of this village, including the Covenanters, (I think somebody else can tackle that complicated period!) and - in the 19th century - the brief rise of Ayrshire whitework, of which I have my own small collection. I'll write more about this needlework in due course. 

One final suggestion - if you find Mr Laurie's account interesting, you could do worse than seek out a book called The Annals of the Parish by John Galt. It is still in print in various forms, it is ostensibly a novel, published in 1821 but it's told in the voice of an 18th Century minister who sounds a lot like Mr Laurie. It is entertaining, informative - and in places, extremely funny. Reading it, you realise how little village life has changed in the intervening period. 

In the kirkyard

.

A Little Bit of Ancient Carrick History, Part Three: Silver Spurs

Looking towards the new manse.

Near to the natural mound of Kirkmichael House (called Kirkmichael Tower on Pont’s map) is a house called Fairy Knowe. Incidentally, if you want to have a look at a series of old and interesting maps of Scotland, including Carrick, you can see and search them all online on the National Library of Scotland's site here.

Most fairy knowes have nothing to do with the fairies, and this one hasn’t either. Instead it comes from the Scots Gaelic faire, meaning watch or guard hill. But a guard hill for what? Fairy knowes are strategically placed near castles or forts of some sort. Fairy Knowe looks towards Maybole, commanding fine views over the surrounding countryside. To the north is Drumore, the big ridge. The name suggests an outlying rampart of something. West of Kirkmichael House is Auchenairney or the Field of Sloes – and still has sloes to this day. What seems to be true is that for many hundreds and perhaps thousands of years people have lived not just in, but around Kirkmichael House, which would have been as important to the village as the kirk. Even within the village is a house named Clawbeg that appears on old maps – with the name meaning ‘small mound’ or barrow. 

There are other place names of interest within the parish. Drumdarragh is a farm mentioned in old records. It seems to have disappeared, but in 1711 we find two farms referred to as Upper and Nether Dundarrach, which translates as small fort of the oaks, and there is an Aikenhead farm in this area today, which of course means much the same thing, but in English. 

Natural mound of 
Kirkmichael House 

Maybe Dundarrach hasn’t disappeared at all.

Descriptively Port Cheek, within the village, is Gaelic, meaning the harbour where the river flows out of the hollow. As it does. The burn is the Dyrock, which was also named for the oaks that grew and still to some extent do grow along the banks. Arnsow is the height of the wise man or sage, Dalduff, the dark field, Ballycoach, the town of the wood, Barskelly, the top of the bare rock, Drumfad, the hill of peat, and so on. 

These were people who were describing and naming a landscape in which they lived and worked and were occasionally referring to people they thought of as others – such as Barbrethan, or Barbredda on the old Pont map, ‘the height where the Brits live’ - even when those others had been here for a long time. The names are, if we pay attention, still describing the place to us, but back then, they were even more important in characterising the landscape.

An English friend had been told that Guiltreehill, outside the village, had been a gallows hill. Well it's possible, but not likely. Executions would have taken place elsewhere, in centres like Maybole and Girvan and Ayr, It seems much more likely that the tree element is yet another British tref, or house name. Gil-tref may mean the house of the manservant, (as in the word ghillie.)  Maybe we see a favoured servant being given some land to build a house for himself, just as so many years later, our own house was built by a well regarded servant. 

Lead was mined up there, but the ore also yielded silver. The 1838 Statistical Account for Kirkmichael contains this tantalising reference: 'In the wacke at Guiltree-hill and Montgomerieston, veins of galena are found, of sufficient importance to have been at one time worked; and they are said to have yielded a high per centage of silver.'

That 1838 account, which can be accessed here, via the excellent Maybole site, also contains a wealth of fascinating information about the area, not least that of some 1000 people in Crosshill, 800 are Irish. The minister doesn't seem to approve of them very much. He also notes that there are ten alehouses in Kirkmichael and finds it an 'unwarrantably large number'.

When I first moved to the village, many years ago, older people would tell me that items made of Kirkmichael silver could still be found here - but I've never seen any. I'd love to know if any remain, lurking at the back of somebody's drawer, or in a box in the attic! 

The mine was certainly a very old one. Perhaps the ‘silver spurs’ that had to be paid to John Kennedy by Murdoch son of Somerled, on St Michael’s day, were made from local silver. And as I said in an earlier post, the Britonnic tribes were miners as well as horsemen and women. Intriguingly, Orchard Farm, and Cloncaird House also seem to be connected with metal working: Orchard with gold, not apples, while Cloncaird is the ‘field of the metal workers’. 

 Perhaps the whole area, back then, was noted for its metal working and perhaps the Britonnic people had those particular skills. Maybe this was an area of much more wealth and interest than we can possibly imagine.

Go to Part Four of this overview of life in the village, for a fascinating account of what life was like in an eighteenth century manse. 

A Little Bit of Ancient Carrick History, Part Two: Place Names and Clan Names

A wintry day on the Dyrock

 Kirkmichael

Our deeds show that our house was built between 1806 when the deeds refer to a piece of land belonging to Cloncaird, and 1811 when they talk about the land and the ‘house built thereon’. The person who built the house had been a gardener on that nearby estate. There was a long tradition of giving land to a favoured servant. Many houses round about are newer or older, but only by a margin of twenty or thirty years, and even the oldest cottages in what is now the conservation area of the village seem to date from no earlier than 1780 or thereabouts. The village is much older, though perhaps it wasn’t a village as we know it today, but more a parish, a collection of clachans around the kirk and Kirkmichael House. 

The present kirk is the newest of three or more buildings on the same site since the Mediaeval period. In the 13th century, we are told that one John de Gemilstoun obtained permission from the priory of Whithorn to estabish a shrine dedicated to St Michael at a peaceful location beside the bank of the stream now known as the Dyrock. In Latin charters, this shrine was described as Ecclesia Sancti Michaelis de Gemilstoun and much later, in 1325, Robert I confirmed this ownership. 

John de Gemilston

Records are disappointingly silent about John, except that he was the son of another John de Gemilston, Knight. I’ve found myself looking at the various mediaeval spellings of the name and wondering if he was actually of the Gaveston family, like Edward II’s pal Piers, son of a Gascon knight, who met with a very nasty end. There are some later commentators who have pointed out that the name may, in fact, be Gavelston, which isn’t a million miles away. Why did he want to establish a shrine here? Was he an incomer? I also wonder whether the shrine was for the good of his soul, or to combat lingering paganism in the area. After all, the name of the burn that runs past the church is from the Celtic word for oak, and such trees were a key part of Celtic custom and belief. 

It would be good to be able to fill in some of this period of 400 years, between the founding of the church, and the more systematic record keeping of the 17th century and beyond. We know that there was factional fighting between the two branches of the ancient Kennedy family in Carrick: the Bargany and Cassillis Kennedies. There is plenty of material about that, especially the great feud of 1601 that was to end in Bargany’s murder and there are excellent local historians who know more about all this than I do. You could also do worse than read S R Crockett’s The Grey Man for a fictional overview. But to try to go into it in any detail for this small part of Carrick would involve a great deal of digging into charters and old records to find out more about the Kirkmichael Kennedies in particular. The truth seems to be that they tended to keep their heads down and not get too involved if they could possibly help it. 

The road to the kirk with lych gate

 

Place names

Like so much else in Kirkmichael, habitation seems to have revolved not just around the kirk, which always sat a little separate, along with the Manse, but in another direction, around the feet of Kirkmichael House. Look at older maps, look at the place names and there is a focus on Kirkmichael House as much as on the kirk. Why should this be? Could it be that the site of the house is the site of an older settlement altogether? 

Some distance to the south of the village is our little cluster of Britonnic place names although there are others round about. These also seem to be sites of habitation, even older than the village as an entity, and mixed in with plenty of old – possibly even older - Gaelic names like Barskelly and Bargannock. Names such as Threave, Barbrethan, (literally the height of the British) Tranew and Troquhain also go back a very long way and some like Barbrethan seem to suggest two communities living cheek by jowl.

The place names in and around Kirkmichael itself are mostly Scots Gaelic but older people in the village still call or at least pronounce the village as opposed to the church name ‘Ker-mich’l’. There are plenty of old documents in the archives spelling it Carmichael. Caer generally meant a stronghold or citadel in Britonnic, and sometimes came to be used in conjunction with the name Michael, mostly as an early Christian reference to the power of the archangel, at sites where the older religions had once been practised. Michael was your go-to archangel for casting out devils – or pagan beliefs.

Kirkmichael House itself sits on a natural ridge, not a man made hill. Still, the Celts liked these naturally defensive positions. Within the Victorian house is a seventeenth century house, and buried deep in that is something older yet. Sparse written records go back to the eleventh or twelve century. But the surrounding place names suggest something older still, at least going back to the time of the Scots Gaels as well as to the Britonnic tribes of the Kingdom of Strathclyde.

Silver Spurs on St Michael's Day

There is an intriguing, if cryptic, reference to Kirkmichael in the preface to a Victorian translation of an ancient volume called The Book of Deer. This book, a 10th century Scottish book of Gospels, with 12th century additions, contains some of the earliest Gaelic writing in Scotland. It was found at the Monastery of Deer in Aberdeenshire (a monastery no longer in existence) but with some evidence of a possible lowland origin. 

A strange little footnote in that Victorian translation, trying to establish some kind of connection between the ancient Kingdom of Strathclyde, and the Celtic tribes of Brittany, refers to Mediaeval records of Kirkmichael. In them, it is called the ‘parich of Kyrmychel Muntirduffy’. There is a reference to ‘Malcolm son of Roland of Carrick, by his charter, said to be dated 1370, to John Kennedy lord of Dunnowyr the lands of Freuchane and Kennethane, lying in the parish of Kyrmychel Muntirduffy, in the earldom of carrick and shrie of are, with all the right that Murdach son of Sowerli had, paying at the feast of St Michael Archangel, at Kyrmychel, a pair of silver spurs.’

Dunnowyr is Dunure, Shrie of Are is Shire of Ayr. Freuchane is, in fact, Treuchane, modern day Troquhain, outside the village in the Patna direction, with the T having been mistaken for an F by whoever was transcribing. There are other transcriptions of this charter confirming this. What is now a hilltop farm was once quite an extensive estate. Kennethane is elsewhere referred to as Kennochane and is linked to Troquhain or Treuchan but I can’t find its equivalent anywhere on the ground or even on old maps. However, this may be the same place as Knockaneckie or Kennackie named elsewhere in mediaeval charters and could be a variant on Cnoc an Eachann (Hector’s hill?) I still don’t know where it was though. Sowerli is Gaelic Somhairle, aka Somerled, who was one of the descendants of the Lord of the Isles, and like his name, of Norse origin. This indicates that he owned lands near, but not necessarily in Kirkmichael. As I discovered when researching the Isle of Gigha, land was often used by the great and the not-so-good as a reward for services rendered, and trying to work out exactly who owned what can be a woeful business. 

Another footnote adds that among the charters of King David II is one ‘anent the clan of Muntircasduff, John McKennedy, Captain thereof.’

We find Murdoch, Son of Somerled, the original owner of these lands near, but not necessarily in, Kirkmichael, cropping up as ‘Juror’ – a man of power and influence - at a couple of enquiries into local legal disputes in 1260, such as this one, in which in-laws have clearly fallen out: 'An inquest was made at Girvan in Carrick in the presence of (among many other lords) Murdoch son of Somerled, who said that they knew well that a marriage was contracted between Hector, son of Sir Hector, and Samuel MacCann’s daughter. Sir Hector placed his son in full sasine of the five-pennyland of Auchensoul for a sum of money paid to him by Samuel; and Hector his son was in sasine for a year and a half, during which time Samuel was guardian. After anger and discord arose between Sir Hector and Samuel, Sir Hector recognosced (reclaimed possession by feudal right) and took sasine of the land, not judicially but by will, and so cultivated the same, and at length deceased.' 

The confirmation of Kennedy ownership of Troquhain and Kennochane comes a hundred years after this Carrick son of Somerled is going about his business, so we’re not sure when the transfer took place – only that Kennedy had to pay for it with a pair of silver spurs and that this may even have been an annual payment, a form of rent.

King David’s charter also defines John McKennedy as the Captain of Muintircasduf Clan. Unpicking this still further, I’m immediately struck by the spelling reflecting the traditional pronunciation of the village name. It would also suggest that even in 1370 the whole place was strongly associated with the feast of St Michael. The Celts celebrated his feast day on 29th September and this day was also associated with horses and horsemen – (I wrote about this feast day in a very popular novel called The Curiosity Cabinet) which helps to explain the ‘silver spurs’. Were they made here? There is a tradition of silver mining outside the village, of which more later. 

The Tribe of the Curly Black Hair?
That name Muntircasduff is perhaps the most intriguing reference of all.

It means something like the ‘clan of the people of the curly black hair’. Later scholars translate this as ‘black feet’ but the ‘curly black hair’ description seems to make a lot more sense. This clan name might help us to make some sense of the origin – or one of them - of this branch of the Kennedy family, and their connection to the Britonnic people in this part of Carrick. 

Cairenn Chasdub was said to be the mother of one of the High Kings of Ireland: Niall of the Nine Hostages, who died around the turn of the 5th century. She is described variously as the daughter of a Saxon king (which she couldn’t have been, given the dates) but also and much more likely as the daughter of the King of the Britons – possibly even of Romano British origin, like King Arthur himself. She too has an interesting story involving victimisation by her husband’s first wife and later rescue from near slavery by her grown up son. 

Whatever the meaning of the name, it’s clear that those ancient Kennedies living where Kirkmichael House now stands, considered themselves to be part of the clan of the people of the curly black hair, with roots going back to the ancient Britonnic people of these islands.

If you want to read more, follow the link to Part Three